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Reprint of the original, first published in 1840.
This volume charts the evolution of Pemberley Digital’s transmedia adaptations of nineteenth-century novels in order to interrogate the uneasy relationship between transmedia storytelling and consumer culture. It first examines two Austen-centered films, Lost in Austen and Austenland, that present “immersive” Austen experiences that anticipate Pemberley Digital’s transmedia adaptations, bridging traditional film adaptations and transmedia’s participatory culture. Subsequent chapters turn to Pemberley Digital’s transmedia adaptations of Austen’s and Shelley’s novels to argue that, although such adaptations may appear feminist in their emphasis on female protagonists, their larger narratives expose a subtext of anxiety about unstable gender roles, financial vulnerability, and the undervaluation of career-specific skill sets, both for the characters and the production company itself. The study provides a robust theoretical framework within which to read transmedia adaptations of “classic literature,” illuminating both the potential of, and the challenges facing, digital and transmedia storytellers and participants.
"The data presented in Alabama Notes, Volumes 3 and 4 derive primarily from county court records, specifically wills and deeds, as well as selected marriage books and are supplemented by cemetery records, census records, and numerous other records of miscellaneous origin. A sequel to Mrs. England's Alabama Notes, Volumes 1 and 2 (see Item 1680), the work at hand refers to thousands of ancestors whose records were culled from the counties of Autauga, Bibb, Butler, Clarke, Coffee, Conecuh, Dallas, Greene, Lowndes, Macon, Marengo, Monroe, Perry, Shelby, and Wilcox"--Publisher website (August 2007).