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Romanian Contemporary Art 2010–2020
Gegenwartskunst ist mehr als schlichte Zeitgenossenschaft. Es ist eine neue Weise des Sehens und des Sichtbarmachens. Diesem Gedanken ist der radikale Wandel verpflichtet, mit dem die rumänische Kunst sich im vergangenen Jahrzehnt neu erfunden hat. Zu verdanken ist dies nicht nur etablierten Künstlern, die sich neue Ausdrucksmittel erschließen. Antrieb ist vor allem eine junge Generation rumänischer Künstler, die nicht mehr die direkte Erfahrung des Lebens und Arbeitens im Kommunismus gemacht hat. Ihre Werke artikulieren ein aktuelles Lebensgefühl samt seiner eigenen Wahrnehmung und Diskurse. Ein Hauptthema ihrer künstlerischen Produktion ist die Macht technisch vermittelter Bilder zur Kontrolle und Konstruktion von Realität und sozialer Erfahrung. Der prächtige Bildband nimmt diesen Schwerpunkt auf, um 29 der innovativsten Künstler und ihre eindringlichen wie faszinierenden Werke vorzustellen.
Computational Science and Its Applications - ICCSA 2014
The six-volume set LNCS 8579-8584 constitutes the refereed proceedings of the 14th International Conference on Computational Science and Its Applications, ICCSA 2014, held in Guimarães, Portugal, in June/July 2014. The 347 revised papers presented in 30 workshops and a special track were carefully reviewed and selected from 1167. The 289 papers presented in the workshops cover various areas in computational science ranging from computational science technologies to specific areas of computational science such as computational geometry and security.
Artificial Hells
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the developme...
Allora and Calzadilla Specters of Noon
A beautiful presentation of a new suite of works made for the Menil Collection by Allora & Calzadilla The Puerto Rico-based collaborative duo Allora & Calzadilla created Specters of Noon as a group of seven large-scale works specifically for the Menil Collection. The ensemble is orchestrated around the idea of solar noon, a notion derived from Surrealist texts by Caillois, Césaire, and others that probe the transcultural mythology of noon--a time when shadows vanish and delirious visions momentarily reign. The works include light projections, guano, ship engines, live vocal performance, and coal. Using the Menil's Surrealist holdings as a point of departure, Specters of Noon is infused throughout with a Caribbean perspective that addresses the instability of environmental and colonial politics; one work is a power transformer damaged in Hurricane Maria that is half-sheathed in bronze. Filled with stunning installation photography and insightful texts both commissioned and reprinted, this volume captures the spirit of Jennifer Allora (b. 1974) and Guillermo Calzadilla's (b. 1971) deeply researched and multifaceted work.
Advances in Image and Video Technology
This book constitutes the refereed proceedings of the Second Pacific Rim Symposium on Image and Video Technology, PSIVT 2007, held in Santiago, Chile, in December 2007. The 75 revised full papers presented together with four keynote lectures were carefully reviewed and selected from 155 submissions. The symposium features ongoing research including all aspects of video and multimedia, both technical and artistic perspectives and both theoretical and practical issues.
The Organic Line
A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia Clark What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.” For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity th...
Stories of Abandonment. A Biographical-Narrative Approach to the Academic Dropout in Andalusian Universities. Multicausal Analysis and Proposals for Prevention
University dropout is a global problem with pernicious social and economic effects. The various university systems in developed countries illustrate the seriousness of the issue. In Spain, through the annual reports of Data and Figures of the Spanish University System published by the Ministry of Education, Culture and Sport. The situation of Spain in the developed countries as a whole, with a comparative perspective and the global dimension of the problem, is dealt with in successive reports by the Ministry of Education, Culture and Sport. The successive reports of the OECD and the EU through Eurostat deal with the situation of Spain in a comparative perspective and the global dimension of the problem.
