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Linguistic forms -- Search -- Studies -- "Was it for this?" and the study of influence -- Act as if and useful fictions -- WWJD? and the history of imitatio christi -- Milton's depictives and the history of style -- Conclusions -- Shakespeare's constructicon -- God is dead, long live philology
Marriages of Surry County contains abstracts of all extant marriage bonds and licenses for the period 1779 until 1868 when bonds, as prerequisites for licenses, were discontinued. The data in this volume are arranged throughout in alphabetical order by the surname of the groom, and each entry provides the name of the bride, the date of the marriage bond, and the names of the bondsmen, clergymen, and justices of the peace. Altogether the text bears reference to approximately 16,000 persons.
When we think of breaking images, we assume that it happens somewhere else. We also tend to think of iconoclasts as barbaric. Iconoclasts are people like the Taliban, who blew up Buddhist statues in 2001. We tend, that is, to look with horror on iconoclasm. This book argues instead that iconoclasm is a central strand of Anglo-American modernity. Our horror at the destruction of art derives in part from the fact that we too did, and still do, that. This is most obviously true of England's iconoclastic century between 1538 and 1643. That century of legislated early modern image breaking, exceptional in Europe for its jurisdictional extension and duration, stands at the core of this book. That'...
A serial killer whose macabre crime scenes are inspired by tarot cards. Victims posed in deathly tableaus. Can Carly decipher this killer's game before it’s too late? COLD TRUTH (A Carly Phoenix FBI Suspense Thriller—Book 3) is the third novel in a new series by mystery and suspense author Taylor Stark. The series begins with COLD JUSTICE (Book 1). The Carly Phoenix series is an intense and riveting thriller featuring a complex and troubled female protagonist. Brimming with suspense, unexpected turns, and a pulse-pounding tempo, this series ensures an enthralling experience that's bound to keep you turning pages late into the night. Fans of Karin Slaughter, Teresa Driscoll, and Lisa Regan are sure to fall in love. Future books in the series are also available!
Using Hannah Arendt’s account of the Greek polis to explain Milton’s fascination with the idea of public speech, this study reveals what is distinctive about his conception of a godly, republican oratory and poetics. The book shows how Milton uses rhetorical theory - its ideas, techniques and image patterns - to dramatise the struggle between ’good’ and ’bad’ oratory, and to fashion his own model of divinely inspired public utterance. Connecting his polemical and imaginative writing in new ways, the book discusses the subliminal rhetoric at work in Milton’s political prose and the systematic scrutiny of the power of oratory in his major poetry. By setting Milton in the context of other Civil War polemicists, of classical political theory and its early modern reinterpretations, and of Renaissance writing on rhetoric and poetic language, the book sheds new light on his work across several genres, culminating in an extended Arendtian reading of his ’Greek’ drama Samson Agonistes.
This volume convenes eight noted scholars with varied positions at the interface of formal and historical literary criticism. The editors’ introduction—a far-reaching account of how both methods have intersected in studies of early modern English texts since the 1990s—is the first such survey in more than 15 years, making it invaluable to scholars entering this area. Three essays address foundational questions about genre, fictionality, and formlessness; five feature close readings of texts or passages ranging from the more canonical (Shakespeare, Herbert, Milton) to the less so (an official record of the 1604 Hampton Court Conference). For scholars and students alike, the book thus models a variety of ways both to conceptualize and to analyze the value of literature at the formal–historical interface. Encompassing drama, lyric, satirical and polemical prose, and metrical as well as rhetorical and logical forms, the collection closes with an afterword by theorist Caroline Levine.
No author in the English canon seems more deserving of the epithet sublime than John Milton. Yet Milton's sublimity has long been dismissed as an invention of eighteenth-century criticism. The poet himself, the story goes, could hardly have had any notion of the sublime, a concept that only took shape in the decades after his death with the advent of philosophical aesthetics. Such a narrative, however, fails to account for the fact that Milton is one of the first writers in English to refer to Longinus, the author traditionally associated with the Ancient Greek treatise On the Sublime. This book argues that Milton did have an idea of the sublime--one that came to him from Longinus but also f...