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In Revisioning History thirteen historians from around the world look at the historical film on its own terms, not as it compares to written history but as a unique way of recounting the past. How does film construct a historical world? What are the rules, codes, and strategies by which it brings the past to life? What does that historical construction mean to us? In grappling with these questions, each contributor looks at an example of New History cinema. Different from Hollywood costume dramas or documentary films, these films are serious efforts to come to grips with the past; they have often grown out of nations engaged in an intense quest for historical connections, such as India, Cuba...
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This volume presents a network of social power, indicating that theories inspired by C.Wright Mills are far more accurate views about power in America than those of Mills's opponents.Dr. Domhoff shows how and why coalitions within the power elite have involved themselves in such policy issues as the Social Security Act (1935) and the Employment Act (1946), and how the National Labor Relations Act (1935) could pass against the opposition of every major corporation. The book descri bes how experts worked closely with the power elite in shaping the plansfor a post-World War II world economic order, in good part realized during the past 30 years. Arguments are advanced that the fat cats who support the Democrats cannot be understood in terms of narrow self-interest, and that moderate conservatives dominated policy-making under Reagan.
Beyond Realism: Naturalist Film in Theory and Practice is the first major critical study of international naturalist cinema. Often mistaken for realist film, international naturalist cinema has a unique cultural and critical history. From its earliest representation in silent films such as Walsh's Regeneration (1915), and Eisenstein's Stachka/Strike (1925), to recent productions such as Chukwu's Clemency (2019), and Aronofsky's The Whale (2022), the naturalist film narrative encompasses the whole of film history, traversing language, movement, and genre. The naturalist film is predicated on two foundational, intersecting paradigms that configure as one ideological system in an overarching scientific and social experimental narrative. Either the scientific or social paradigm may be dominant in the film narrative or they may simply co-exist, but a naturalist film reveals both templates and, most significantly, suggests an implicit cinematic anthropology that renders the body as an observed spectacle.
Arranged in five thematic parts, "The Oral History Reader" covers key debates in the post-war development of oral history.
Since early in its history, photography has been used by a diversity of travellers, whose collected photographs have been compiled into albums. But Photographic Travel as a genre of art did not appear before the second half of the twentieth century, and had a singular fate and fortune in the US as well as in Europe. The initial objective of some itinerant photographers is to make a book; their shooting practice is conditioned by this objective, as well as their travel experience. Their books – designed as one coherent hole – refer to their wandering experience, even though their stories are never completely free from fiction. In these books, their travels are converged, and their subjectivity is revealed. It is therefore relevant to call such books made of photographies, and possibly words about the travel experience, Photographic Travel books (comparably to Travel books). Danièle Méaux has tackled the task of characterizing this genre.
Sanford Gladden traces the history of the Durst/Darst family and some 40 other related families from their European roots to Philadelphia in Colonial times. They migrated to the Shenandoah Valley of Virginia, to Delaware and Pickaway Counties in OH and on to Texas. Some of the related surnames are: Beck, Cecil, Chandler, Charlton, Cozad, Craig, Damon, Deam, Dill, Eaton, Ewing, Fry, Glendy, Glotfelter, Grigsby, Guy, Harshman, Haynes, Holman, Huston, Jamison, Keithly, Kennedy, Kent, Lightner, Marshall, Morgan, Orman, page, Perrins, Ramsey, Selling, Stroop, Trolinger, and Weiser among other smaller branches.
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