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The Art of Colour
Did you know that the ultramarine that shimmers at the centre of Vermeers Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusais perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankensteins Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.) Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over te...
The Materials and Techniques of Medieval Painting
Sums up 20th-century knowledge: paints, binders, metals, surface preparation. Based on manuscripts and scientific investigation.
House of Lost Worlds
A gripping tale of 150 years of scientific adventure, research, and discovery at the Yale Peabody Museum This fascinating book tells the story of how one museum changed ideas about dinosaurs, dynasties, and even the story of life on earth. The Yale Peabody Museum of Natural History, now celebrating its 150th anniversary, has remade the way we see the world. Delving into the museum's storied and colorful past, award-winning author Richard Conniff introduces a cast of bold explorers, roughneck bone hunters, and visionary scientists. Some became famous for wresting Brontosaurus, Triceratops, and other dinosaurs from the earth, others pioneered the introduction of science education in North Amer...
On Parchment
A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."--Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era's surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt ...
Pirotechnia
The pirotechnia.
Beasts of Eden
Mammals first evolved at about the same time as dinosaurs, and their story is perhaps the more fascinating of the two—in part because it is also our own story. In this literate and entertaining book, eminent naturalist David Rains Wallace brings the saga of ancient mammals to a general audience for the first time. Using artist Rudolph Zallinger's majestic The Age of Mammals mural at the Peabody Museum as a frame for his narrative, Wallace deftly moves over varied terrain—drawing from history, science, evolutionary theory, and art history—to present a lively account of fossil discoveries and an overview of what those discoveries have revealed about early mammals and their evolution. In ...
The Rule of Art
What do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the links between them? And what role do those links play in creating the humanistic culture that still has power over us today? These are the questions Clark Hulse takes up in this sophisticated interdisciplinary study of Renaissance aesthetics. Proposing an archeology of artistic knowledge, Hulse examines the theoretical language through which the poets, painters, and patrons of the Renaissance conceived of the relationship between the arts. That language is embedded in what he calls a "rule of art," a specific set of categories, assumptions, and practices that defined the two art forms and the relationship between them. Hulse charts the rise of both forms to the status of liberal arts requiring special intellectual training for artist and patron alike. In the process, he uncovers the history of the practice of theory in the Renaissance, revealing how artistic discourse lived in the world.
Gemmes, verre coloré, fausses pierres précieuses au Moyen Âge
Au centre de cette étude, se trouve un ouvrage inédit : le quatrià ̈me livre du "Trésorier de philosophie naturelle des pierres précieuses" du chroniqueur liégeois Jean d'Outremeuse (fin du XIVe sià ̈cle). A la fois lapidaire et livre de recettes consacré pour l'essentiel à l'une des formes les plus passionnantes mais méconnue de l'art du verre - la fabrication des fausses pierres précieuses - , resté inédit bien que rédigé par le plus célà ̈bre des auteurs liégeois médiévaux, enfin, entouré de mystà ̈re pour son origine comme pour le contexte de sa rédaction, ce Trésorier méritait bien une étude approfondie. L'ouvrage a...
Memory
In recent decades, memory has become one of the major concepts and a dominant topic in philosophy, sociology, politics, history, science, cultural studies, literary theory, and the discussions of trauma and the Holocaust. In contemporary debates, the concept of memory is often used rather broadly and thus not always unambiguously. For this reason, the clarification of the range of the historical meaning of the concept of memory is a very important and urgent task. This volume shows how the concept of memory has been used and appropriated in different historical circumstances and how it has changed throughout the history of philosophy. In ancient philosophy, memory was considered a repository...
