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Turbulent Decade
Yan Jiaqi, one of the principal leaders of China's pro-democracy movement, and his wife, Gao Gao, a noted sociologist, set out to write a comprehensive narrative account of the Great Proletariat Cultural Revolution, which occurred in the second decade after Mao Zedong and his comrades came to power. It appeared in Hong Kong in 1986, and was quickly banned by the Communist government. Not surprisingly, censorship and restricted circulation in China resulted in underground reproduction and serialization. The work was thus widely read, coveted, and appreciated by a populace who had just freed itself from the cultural drought and political dread of the event. Yan and Gao later spent two years re...
Wisdom for the Soul
Five Millennia of Prescriptions for Spiritual Healing
Sailing for the Sun
Sailing for the Sun celebrates in 1989 the bicentenary of the arrival of the first Chinese in the Hawaiian Islands. In 1789, the Islands had not yet been united as a kingdom under Kamehameha; the various Islands were ruled by high chiefs for several more years. The Islands, "discovered" just a scant 11 years before by the British Captain James Cook, were a beautiful chain of lush lands, soaring volcanic mountains, with a moderate climate and a relatively sparse population.
Ping-Pong Diplomacy
Combining the insight of Franklin Foer’s How Soccer Explains the World and the intrigue of Ben Affleck’s Argo, Ping Pong Diplomacy traces the story of how an aristocratic British spy used the game of table tennis to propel a Communist strategy that changed the shape of the world. THE SPRING OF 1971 heralded the greatest geopolitical realignment in a generation. After twenty-two years of antagonism, China and the United States suddenly moved toward a détente—achieved not by politicians but by Ping-Pong players. The Western press delighted in the absurdity of the moment and branded it “Ping-Pong Diplomacy.” But for the Chinese, Ping-Pong was always political, a strategic cog in Mao ...
Unstately Power
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On Telling Images of China
The essays in this volume address a diverse range of issues in China’s narrative art and visual culture mainly from the Ming dynasty (1368–1644) to the present. These studies attend to the complex ways in which images circulate in pictorial media and across boundaries between ‘high art’ and popular culture—images in paintings, prints, stone engravings and posters, as well as in film and video art. In addition, the authors examine the roles of ancient exemplary stories and textual narratives, as well as their reiteration in the visual arts in early modern and modern social and political contexts. The volume is divided into three sections: Representing Paradigms, Interpreting Literary Themes and Narratives, and the Medium and Modernity. While the essays in each section deal with concerns in the field of China’s art history, an editors’ introduction serves to position the topic of narrative art and to introduce definitions and genre issues which run through the book. As a whole, the volume invites reflection on the intrinsic nature of narratives and their pictorial lives, and presents new research which challenges established views and paradigms.
Gourmets in the Land of Famine
A study of the politics of rice in Canton, this book sheds new light on the local history of the city and illuminates how China's struggles with food shortages in the early twentieth century unfolded and the ways in which they were affected by the rise of nationalism and the fluctuation of global commerce. Author Seung-joon Lee profiles Canton as an exemplary site of provisioning, a critical gateway for foreign rice importation and distribution through the Pearl River Delta, which found its prized import, and thus its food security, threatened by the rise of Chinese nationalism. Lee argues that the modern Chinese state's attempts to promote domestically-produced "national rice" and to tax ri...
Knowledge Production in Mao-Era China
This book traces and analyzes the transformation of the public discourse of science and technology in Mao-era China. Based on extensive primary sources such as science dissemination materials and technical handbooks, as well as mass media products of the Great Leap Forward and the Cultural Revolution periods, this book delineates the emergence of a pragmatic approach to knowledge in society. To achieve the goal of fast modernization with limited financial, human, and material resources, the party-state accommodated Western and local, "modern" and "traditional" knowledges in the fields of agricultural mechanization, steel production and Chinese veterinary medicine. The case studies demonstrate that scientific knowledge production in the Mao-era included various social groups and was entangled with political and cultural issues. This reveals and explains the continuity of scientific thinking across the historical divides of 1949 and 1978, which has hitherto been underestimated.
Religious Dynamics under the Impact of Imperialism and Colonialism
This sourcebook offers rare insights into a formative period in the modern history of religions. Throughout the late 19th and the early 20th centuries, when commercial, political and cultural contacts intensified worldwide, politics and religions became ever more entangled. This volume offers a wide range of translated source texts from all over Asia, the Middle East, and Europe, thereby diminishing the difficulty of having to handle the plurality of involved languages and backgrounds. The ways in which the original authors, some prominent and others little known, thought about their own religion, its place in the world and its relation to other religions, allows for much needed insight into the shared and analogous challenges of an age dominated by imperialism and colonialism.
