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In the past, ideologies and religions had a real impact on the media. In the current era of mass media and communication strategies, perception takes priority over identity and new questions arise: how to introduce faith and religion in a pluralising and detraditionalising world? What possibilities are offered by the new media? How can technical innovations be incorporated in church communication? Following the conference Belief in the Media (April 2007), this publication focuses on the gap between the language of faith and the language of the general media. The different contributors analyse, from within - but also from outside - a church context, the historical changes and challenges the Catholic Church and other faiths and denominations face with regard to their social communication and media strategies. However it is not only the relationship of religious institutions with the media that is at stake, but also the way in which the media cover topics such as the Middle East, Muslim immigrant populations in Europe, and the World Youth Day. Journalists have to find new ways to get a grip on these issues too.
The Historical Dictionary of Latin American Literature and Theater provides users with an accessible single-volume reference tool covering Portuguese-speaking Brazil and the 16 Spanish-speaking countries of continental Latin America (Argentina, Bolivia, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela). Entries for authors, from the early colonial period to the present, give succinct biographical data and an account of the author's literary production, with particular attention to their most prominent works and where they belong in literary history.
Provides information on the history and present practice of theater in the world.
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Volume 1 (A and B) covers international organizations throughout the world, comprising their aims, activities and events.
Street Corner Society is one of a handful of works that can justifiably be called classics of sociological research. William Foote Whyte's account of the Italian American slum he called "Cornerville"—Boston's North End—has been the model for urban ethnography for fifty years. By mapping the intricate social worlds of street gangs and "corner boys," Whyte was among the first to demonstrate that a poor community need not be socially disorganized. His writing set a standard for vivid portrayals of real people in real situations. And his frank discussion of his methodology—participant observation—has served as an essential casebook in field research for generations of students and schola...
Publishes articles on all aspects of business and management.