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This innovative new book examines the ways in which writers’ houses contribute to the making of memory. It shows that houses built or inhabited by poets and novelists both reflect and construct the author’s private and artistic persona; it also demonstrates how this materialized process of self-fashioning is subsequently appropriated within various strategies and policies of cultural memory.
The Romance of the Rose has been a controversial text since it was written in the thirteenth century. There is evidence for radically different readings as as early as the first half of the fourteenth century. The text provided inspiration for both courtly and didactic poets. Some read it as a celebration of human love; others as an erudite philosophical work; still others as a satirical representation of social and sexual follies. On one hand it was praised as an edifying treatise, on the other condemned as lascivious and misogynistic. Kevin Brownlee and Sylvia Huot and the contributors to this volume—Pierre-Yves Badel, Emmanuele Baumgartner, John V. Fleming, Robert Pogue Harrison, David F. Hult, Stephen G. Nichols, Lee Patterson, Daniel Poirion, Karl D. Uitti, Dieuwke E. van der Poel, and Lori Walters—represent all the major areas of current work on the Romance of the Rose, both in American and in Europe. The volume will be of value to students and scholars of medieval literature, intellectual history, and art history.
From rumours about gnostic orgies in antiquity to the explicit erotic symbolism of alchemical texts, from the subtly coded eroticism of medieval kabbalah to the sexual magic practiced by contemporary occultists and countercultural translations of Asian Tantra, the history of Western esotericism is rich in references to the domains of eros and sexuality. This volume, which brings together an impressive array of top-level specialists, is the first to analyze the eroticism of the esoteric without sensationalism or cheap generalizations, but on the basis of expert scholarship and attention to textual and historical detail. While there are few other domains where the imagination may so easily run wild, the various contributions seek to distinguish fact from fiction--only to find that historical realities are sometimes even stranger than the fantasies. In doing so, they reveal the outlines of a largely unknown history spanning more than twenty centuries.
This is the first systematic treatment of esotericism to appear in English. Here is also a historical survey, beginning with the Alexandrean Period, of the various esoteric currents such as Christian Kabbalah, Theosophy, Alchemy, Rosicrucianism, and Hermeticism. Common characteristics of these currents are the notion of universal interdependency and the experience of spiritual transformation. The author establishes a rigorous methodology; provides clarifying definitions of such key terms as gnosis, theosophy, occultism, and Hermeticism; and offers analysis of contemporary esotericism based on three distinct pathways. The second half of the book presents a series of studies on several important figures, works, and movements in Western esotericismstudies devoted to some of the most characteristic and illuminating aspects that this form of thought has taken, such as theosophical speculations on androgyny, rosicrucian literature, and Masonic symbolism. The book is completed by a rich and selective Bibliography conceived as a means of orientation and a tool for research.
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
"The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighte...
This acclaimed translation of Michel Delon's Dictionnaire Europen des Lumires contains more than 350 signed entries covering the art, economics, science, history, philosophy, and religion of the Enlightenment. Delon's team of more than 200 experts from around the world offers a unique perspective on the period, providing offering not only factual information but also critical opinions that give the reader a deeper level of understanding. An international team of translators, editors, and advisers, under the auspices of the French Ministry of Culture, has brought this collection of scholarship to the English-speaking world for the first time.
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
‘Rewriting’ is one of the most crucial but at the same time one of the most elusive concepts of literary scholarship. In order to contribute to a further reassessment of such a notion, this volume investigates a wide range of medieval and early modern literary transformations, especially focusing on texts (and contexts) of Italian and French Renaissance literature. The first section of the book, "Rewriting", gathers essays which examine medieval and early modern rewritings while also pointing out the theoretical implications raised by such texts. The second part, "Rewritings in Early Modern Literature", collects contributions which account for different practices of rewriting in the Ital...