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Provides aspiring Creative Writing graduate students with all the information they need on which low-residency program is best suited to them.
Way over yonder in the minor key There ain't nobody that can sing like me --Woody Guthrie Originally published as issue #35 of Sugar Mule: A Literary Magazine (www.sugarmule.com), this groundbreaking anthology includes 188 selections of poetry, fiction, creative nonfiction, essays, and visual art by 78 writers and 2 visual artists who currently live in Oklahoma. A powerful gathering of voices, singing hymns, telling stories, making truth from a powerful place. --Rilla Askew, author of Fire in Beulah and Harpsong
This book brings together contemporary authors and well-respected creative writing instructors and theorists to explore ways creativity in composition may be encouraged in student writers. The question in this anthology is not 'Can writing be taught?' but 'How can we inspire students to embrace the creative process no matter what they write?'
An essential guide to cultivating joy in your professional and personal writing Writing should be a pleasurable challenge, not a painful chore. Writing with Pleasure empowers academic, professional, and creative writers to reframe their negative emotions about writing and reclaim their positive ones. By learning how to cast light on the shadows, you will soon find yourself bringing passion and pleasure to everything you write. Acclaimed international writing expert Helen Sword invites you to step into your “WriteSPACE”—a space of pleasurable writing that is socially balanced, physically engaged, aesthetically nourishing, creatively challenging, and emotionally uplifting. Sword weaves t...
Marking the tenth anniversary of the New Writing Viewpoints series, this new book takes the concept of an edited collection to its extreme, pushing the possibilities of scholarship and collaboration. All authors in this book, including those who contributed to Power and Identity in the Creative Writing Classroom, which launched the series ten years ago, are proof that creative writing matters, that it can be rewarding over the long haul and that there exist many ways to do what we do as writers and as teachers. This book captures a wide swathe of ideas on pedagogy, on programs, on the profession and on careers.
A Cuban-American travels to Havana searching for a secret recipe where he finds love and the truth about his father.
Winner of a 2020 Border Regional Library Association Southwest Book Award “Truly transcendent.” —Jessica Lustig, New York Times Book Review This riveting memoir follows professional horse trainer Ginger Gaffney’s year-long odyssey to train a herd of neglected horses at an alternative prison ranch in New Mexico. Working with her is a small team of ranch “residents,” men and women who are each uniquely broken by addiction and incarceration. Gaffney forms a bond with them as profound as the kinship and trust the residents discover among the troubled horses. Through these unforgettable characters—both animal and human—Half Broke tells a new kind of recovery story and speaks to the life-affirming joy of finding a sense of belonging.
Style and the Future of CompositionStudies explores style’s potential for informing how students are taught to write well and its power as a tool for analyzing the language and discourse practices of writers and speakers in a range of contexts. Many college writing teachers operate under the belief that style still refers primarily to the kinds of issues discussed in Strunk and White’s popular but outdated book The Elements of Style. This work not only challenges this view but also offers theories and pedagogies from diverse perspectives that help teachers and students develop strategic habits and mindsets to negotiate languages, genres, and discourse conventions. The chapters explore th...
"Discusses Komodo dragons, including their physical features, habitat, range, diet, and life cycle"--