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The twelve essays in Selfhood on the Early Modern English Stage analyse the influences that shaped the fictional constructs that inhabited the drama of the early modern period. The contributors, all specialists in the field working in France and England, offer a wide spectrum of views and discuss a variety of dramatic texts ranging from late medieval cycle plays and interludes of the Tudor period, to plays by Marlowe, Shakespeare, Tourneur and Jonson. The early modern stage self emerges out of this collection as the site of a rich confluence of discursive and historical forces existing beyond the theatre itself. Three essays in the first section reveal how abstract figures like Mundus and Ma...
The aim of the book is to explore the long-standing and multi-faceted relationship between Scotland and the societies and cultures of the European continent, in various epochs and from a large diversity of view points and problematics. The book collects most of the contributions from the IVth annual conference of the Société Française d’Etudes Ecossaises, held in Toulon in October 2005. This international conference gathered fifty European academics, working in a wide range of research fields, from social history to art history, from language to literature, from politics to civilisation and cultural studies. The interdisciplinary ambition and cross-cultural perspective of the conference are reflected in the volume. The book is divided into four main sections: links with Europe, visions of Europe, voices in Europe, and current political issues within the European Union. It illustrates the richness and complexity of the dialogue between Scotland and the continent over the centuries, and underlines the open, fluid and dynamic character of the Scottish identity.
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