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Word-Formation
This handbook comprises an in-depth presentation of the state of the art in word-formation. The five volumes contain 207 articles written by leading international scholars. The XVI chapters of the handbook provide the reader, in both general articles and individual studies, with a wide variety of perspectives: word-formation as a linguistic discipline (history of science, theoretical concepts), units and processes in word-formation, rules and restrictions, semantics and pragmatics, foreign word-formation, language planning and purism, historical word-formation, word-formation in language acquisition and aphasia, word-formation and language use, tools in word-formation research. The final chapter comprises 74 portraits of word-formation in the individual languages of Europe and offers an innovative perspective. These portraits afford the first overview of this kind and will prove useful for future typological research. This handbook will provide an essential reference for both advanced students and researchers in word-formation and related fields within linguistics.
Angst i dansk litteratur
”Jeg har en Angst som aldrig før”, hedder det hos H.C. Andersen. For Tom Kristensen er angsten ”asiatisk i Vælde”, mens Tove Ditlevsen oplever ”Verdenshave af Angst”. I de sidste 200 år har angst været et centralt tema i dansk litteratur – helt frem til bekymringen for teknologiske og klimamæssige forandringer hos en samtidsforfatter som Jonas Eika. Romaner, noveller og digte forvandler oplevelser af angst til litterær form. Litteraturhistorien er dermed et emotionelt arkiv, der opsamler fortolkninger af angst og forandringer i angstens udtryksformer. Ved at undersøge, hvordan angsten er skildret hos forskellige forfattere på tværs af tid, får vi et dybere indblik i angstens rolle i den menneskelige tilværelse. I bogen analyserer 13 forskere repræsentationer af angst i dansk litteratur fra H.C. Andersen og Søren Kierkegaard over blandt andre det moderne gennembruds kvindelige forfattere, Henrik Pontoppidan og Inger Christensen frem til de nyeste tendenser inden for spekulativ fiktion.
Hans Christian Andersen
A noted literary critic examines the life of the prolific Danish writer whose works captivated readers across Europe.
Hans Christian Andersen
Hans Christian Andersen is indisputably the best known of all Scandinavian writers, his tales and stories having been translated probably into more languages than any other work except the Bible. He is also one of the greatest travelers of nineteenth-century belles lettres and few were the major European cities, capitals, and countries he did not visit, many of them several times: Vienna, Berlin, Dresden, Leipzig, Weimar, Paris, and London. He met and became friends with some of the most outstanding representatives of the European artistic community: Charles Dickens, Victor Hugo, Alexandre Dumas père, Franz Grillparzer, Heinrich Heine, the Brothers Grimm, Wilhelm von Kaulbach, Franz Liszt, ...
Hans Christian Andersen
Hans Christian Andersen is indisputably the best known of all Scandinavian writers, his tales and stories having been translated probably into more languages than any other work except the Bible. He is also one of the greatest travelers of nineteenth-century belles lettres and few were the major European cities, capitals, and countries he did not visit, many of them several times: Vienna, Berlin, Dresden, Leipzig, Weimar, Paris, and London. He met and became friends with some of the most outstanding representatives of the European artistic community: Charles Dickens, Victor Hugo, Alexandre Dumas père, Franz Grillparzer, Heinrich Heine, the Brothers Grimm, Wilhelm von Kaulbach, Franz Liszt, ...
The Original Age of Anxiety
Why was anxiety such a major issue for Søren Kierkegaard and his contemporaries? This book revisits the “original” age of anxiety, the time and place where Kierkegaard’s ground-breaking thoughts on anxiety were formed. The pseudonym used by Kierkegaard in The Concept of Anxiety (1844), Vigilius Haufniensis, is Latin for “the watchman of Copenhagen.” A guiding question is what the vigilant Haufniensis might have observed in his city—and especially in the literary culture of his time and day? Exploring freedom in many forms, Kierkegaard and his contemporaries found combinations of fear and desire that have later been considered symptomatic of modernity.
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