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Bosnian War Posters is a unique compilation of posters and political graphic design. It includes key archive photos from the war as well as new photos that put all the images in context today. This book illustrates the entire conflict: from April 1992—when the first shots were fired in Sarajevo—to December 1995—when peace was agreed upon in Dayton, Ohio. Subsequent images depict the post-war reconstruction period and the hunt for war criminals. The posters were gathered together in Bosnia and the former Yugoslavia shortly after the Bosnian war ended. They form the only large, pan-Bosnian collection of such material that exists, offering an eye-witness account of the war from the point of view of those who lived through all its horrors. A unique pictorial study of the bloodiest European conflict since 1945, Bosnian War Posters will engage all those interested in graphic design, poster art, the tragic story of Yugoslavia, and the politics of nationalism in the modern age.
A unique book that showcases how Ukrainian society is expressing itself through art. War came to Ukraine in February 2022; it was uninvited—although not entirely unexpected given Russia’s steady, massive troop build-up on Ukraine’s eastern border over the winter. When war exploded, millions of people around the world watched it compulsively on TV. Daoud Sarhandi-Williams—author of the internationally–acclaimed Bosnian War Posters—traveled to Ukraine in the summer of 2022 to photograph street art. He gathered a lot more images besides—as well as a trove of extraordinary war poetry by Ukrainian citizens, shared internationally here for the first time. The author brings all these ...
For most outsiders, the Bosnian War was played out in the brief, flickering images of television news. But another set of images played an active role in this war, moulding public sentiment and calling attention to the plight of the Bosnian people. For three years, Bosnians plastered the walls of their towns with messages of anger, frustration, desperation, resistance and hope. These images, the focus of this book, are juxtaposed with the diverse works of propaganda that served the practitioners of ethnic cleansing. Evil Doesn't Live Here presents this visusl battle to the rest of the world.
This vibrant history of the former German Democratic Republic's public art reveals a barely known but visually and theoretically rich cultural legacy. Picturing Socialism shows how works of art and design in the urban spaces of East Germany were the site of a sustained struggle between practitioners, critics and political leaders. This was not the oft-assumed conflict between artistic freedom and political dogma; at stake was the self-identity of the republic as socialist. Art and its relationship to architecture functioned as the testing ground for East Germany's relationship to socialist realism and modernism against the backdrop of Cold War competition from the neighbouring Federal Republic. Picturing Socialism makes a timely contribution to the recent groundswell of interest in the legacy of East Germany's art and architecture, illuminating and elucidating the public art which has been lost or remains under threat since unification in 1990.
What is the child for Latin American cinema? This book aims to answer that question, tracing the common tendencies of the representation of the child in the cinema of Latin American countries, and demonstrating the place of the child in the movements, genres and styles that have defined that cinema. Deborah Martin combines theoretical readings of the child in cinema and culture, with discussions of the place of the child in specific national, regional and political contexts, to develop in-depth analyses and establish regional comparisons and trends. She pays particular attention to the narrative and stylistic techniques at play in the creation of the child's perspective, and to ways in which...
This book looks at the 1968 Summer Olympic Games as a complex nation-building project. Sports mega-events have been mostly studied as homogenous government-led strategies, but more work is needed around the diverse reception and performances. The preparation period for the Olympics in Mexico and especially the year 1968 highlight the multiplicity of voices behind these exercises. Beyond the government and associated networks, the citizenry also used this mega-event to present an idea of Mexico to the world and thus reshape citizenship and nationhood. This study takes a bottom-up approach to look at the citizenry’s experiences of the 1968 Olympic Games, both the shared nationalistic values and the areas of conflict.
Die Strauss-Dynastie – das sind Johann Strauss Vater und seine Söhne Johann, Josef und Eduard, sowie im 20. Jahrhundert Johann Strauss Enkel und Eduard Strauss II. Diese Musiker prägten, ausgehend von Wien, das musikalische europäische Geschehen vom Beginn des 19. Jahrhunderts bis in die 30er-Jahre des letzten Jahrhunderts komponierend und in Person von Eduard Strauss bis 1969 dirigierend maßgeblich. Claus Kegel legt nun mit diesem Band eine Aufführungs- und Rezeptionsgeschichte vor, die von 1801 bis 1849 reicht und die beste Voraussetzung dafür ist, das durch viele Klischees verzerrte Bild der "Walzerkönige" auf die Fakten zurückzuführen und der Lebensgeschichte der Familie Strauss auf die Spur zu kommen.
Liberating Histories makes an original, scholarly contribution to contemporary debates surrounding the cultural and political relevance of historical practices. Arguing against the idea that specifically historical readings of the past are necessary or are compelled by the force of past events themselves, this book instead focuses on other forms of past-talk and how they function in politically empowering ways against social injustices. Challenging the authority and constraints of academic history over the past, this book explores various forms of past-talk, including art, films, activism, memory, nostalgia and archives. Across seven clear chapters, Claire Norton and Mark Donnelly show how a...
The Routledge Handbook of Public Diplomacy provides a comprehensive overview of public diplomacy and national image and perception management, from the efforts to foster pro-West sentiment during the Cold War to the post-9/11 campaign to "win the hearts and minds" of the Muslim world. Editors Nancy Snow and Philip Taylor present materials on public diplomacy trends in public opinion and cultural diplomacy as well as topical policy issues. The latest research in public relations, credibility, soft power, advertising, and marketing is included and institutional processes and players are identified and analyzed. While the field is dominated by American and British research and developments, the book also includes international research and comparative perspectives from other countries. Published in association with the USC Center on Public Diplomacy at the Annenberg School based at the University of Southern California.
The first edition of Olympic Cities, published in 2007, provided a pioneering overview of the changing relationship between cities and the modern Olympic Games. This substantially revised and enlarged third edition builds on the success of its predecessors. The first of its three parts provides overviews of the urban legacy of the four component Olympic festivals: the Summer Games; Winter Games; Cultural Olympiads; and the Paralympics. The second part comprisessystematic surveys of seven key aspects of activity involved in staging the Olympics: finance; place promotion; the creation of Olympic Villages; security; urban regeneration; tourism; and transport. The final part consists of nine chr...