You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A searing exploration of authoritarianism in the Middle East through the legacy of Gamal Abdel Nasser’s years in power in Cold War–era Egypt. Gamal Abdel Nasser, the larger-than-life Egyptian president who ruled for eighteen years between the coup d’état he led in 1952 and his death in 1970, is best known for wresting the Suez Canal from the British and French empires and befriending such iconic revolutionaries as Fidel Castro and Che Guevara. Yet there is a darker side to Nasser’s regime. He was a brutal authoritarian, whose legacy, Alex Rowell argues, lies at the heart of the violent and repressive order that still prevails throughout the Arab world today. We Are Your Soldiers exa...
Now all but forgotten, there exists within medieval Islamic political thought a coherent "realist" tradition analogous to its Western counterpart. In The Art of Jihad, Malik Mufti begins by analyzing contemporary debates on jihad designed to highlight the lacuna occupied by realism in other cultures. He explicates the features of medieval Islamic realism; those it shares with realism everywhere—a focus on power, for example, or the ubiquity of human conflict—but also those features that are distinctive: its insistence on the political centrality of religion, its rejection of scientific certainty, its valorization of hierarchy, and its adherence to empire as the optimal ethico-political framework. These features are fleshed out through the writings of medieval political thinkers such as Ibn al-Muqaffa`, al-Jahiz, and the anonymous author of a seminal military manual, as well as political philosophers such as Ibn Rushd and Ibn Khaldun. Finally, Mufti explores the prospects for a revival of Islamic realism in the context of the political and intellectual upheavals currently besetting the Middle East.
Salafism, comprised of fundamentalist Islamic movements whose adherents consider themselves the only “saved” sect of Islam, has been little studied, remains shrouded in misconceptions, and has provoked new interest as Salafists have recently staked a claim to power in some Arab states while spearheading battles against “infidel” Arab regimes during recent rebellions in the Arab world. Robert G. Rabil examines the emergence and development of Salafism into a prominent religious movement in Lebanon, including the ideological and sociopolitical foundation that led to the three different schools of Salafism in Lebanon: quietist Salafists, Haraki (active) Salafists; and Salafi Jihadists. ...
Despite speculation about Saudi interests and loyalties that have been directed at the country since 9/11, Arabia remains the key US ally in the Arab Middle East. Menoret debunks the facile notions about Saudi society, and focuses our attention on present political and economic realities that cannot be reduced to essentialist "tribalist" ideas. Menoret illustrates the emerging autonomous--and Islamic--manifestations of Saudi national identity, fiercely reformist rather than medieval, complex and varied rather than merely a justification or support for the rule of the al-Saud royal family. Underlying this account is a sophisticated economic history of the Saudi state, from the eighteenth century to the present day, which details all the alliances and manoeuvres that have brought the country and its rulers to their current precarious position.
How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyond City of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi...
This volume collects reflections on secularity from the Middle East and North Africa. To highlight proximate connections as well as resonances with debates elsewhere, it includes premodern contributions from the region as well as Jewish thought from Europe that have provided significant references for modern appropriations of secularity. The texts, for the most part previously untranslated, reflect commonalities within the region as well as its great diversity. Thus, while Islam is a common reference for most of our authors, the selections point to its varied invocations in the interest of differing political ends. Others write from a Christian or Jewish perspective, or subscribe to non-reli...
During the second half of the twentieth century, the Arab intellectual and political scene polarized between a search for totalizing doctrines--nationalist, Marxist, and religious--and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence Arab states, as well as to authoritarianism, intolerance, and failed development. They were also responding to successive defeats by Israel, humiliation, and injustice. The first book to take stock of these critical responses, this volume illuminates the relationship between cultural and political critique in the work of major Arab thinkers, and it connects Arab debates on cultural malaise, identity, and authenticity to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions and various Arab concerns.
The modern history of Iraq is punctuated by a series of successive and radical ruptures (coups d''etat, changes of regime, military adventures and foreign invasions) whose chronological markers are relatively easy to identify. Although researchers cannot ignore these ruptures, they should also be encouraged to establish links between the moments when the breaks occur and the longue dur(r)e, in order to gain a better understanding of the period.Combining a variety of different disciplinary and methodological perspectives, this collection of essays seeks to establish some new markers which will open fresh perspectives on the history of Iraq in the twentieth and twenty-first centuries, and suggest a narrative that fits into new paradigms. The book covers the various different periods of the modern state (the British occupation and mandate, the monarchy, the first revolutions and the decades of Ba''thist rule) through the lens of significant groups in Iraq society, including artists, film-makers, political and opposition groups, members of ethnic and religious groups, and tribes."
Pluralism in the Iraqi Novel is about the use of literature and the novel to express the new content of an Iraqi national identity constructed after the American invasion of 2003. Instead of the homogenizing national identity in Iraqi literature created before 2003, postoccupation literature presents Iraqi society as a kaleidoscope of multiple religious identities converging in an accommodating Iraqi national identity. The author argues that this could not have happened without the upheaval of 2003 and its consequent results: democracy and political restructuring that incorporated Shia for the first time into the ruling political coalition in recognition of their numerical majority. Literature was consequential to processing the complicated subject of Shia-Sunni relations and the sectarian identity of each and, even more, in the wake of the geopolitical events of 2003, literature was instrument in bringing representation of the Kurds, the small minorities, and even the last Jews of Iraq to the fore. As such, literature demonstrated its revolutionary power and formed the basis for a “New Iraq.”