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"From its modest beginnings in the 1860s, Dar es Salaam has grown to become one of Africa's most important urban centres. A major political, economic and cultural hub, the city has also acted as a crucible of local social and cultural innovation, exerting a powerful influence on wider Tanzanian society. Reflecting important contemporary socio-economic trends of urban Africa, it has recently attracted the attention of a diverse range of scholars from several disciplines. This collection draws on the best of this scholarship." --Book Jacket.
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The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ëhaven of peaceí resulting from a mix-up of the Arabic words "dar" (house) and "bandar" (harbour). Named in 1867 by the Sultan of Zanzibar, The town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort To The socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, For the Tanzanian, The town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ëbrainí in Kiswahili). Far from being an anecdote, this slide into top...
Gone to Ground is an investigation into the material and political forces that transformed the cityscape of Dar es Salaam, Tanzania in the 1970s and early 1980s. It is both the story of a particular city and the history of a global moment of massive urban transformation from the perspective of those at the center of this shift. Built around an archive of newspapers, oral history interviews, planning documents, and a broad compendium of development reports, Emily Brownell writes about how urbanites navigated the state’s anti-urban planning policies along with the city’s fracturing infrastructures and profound shortages of staple goods to shape Dar’s environment. They did so most frequen...
A study of Dar es Salaam’s music business, from production and broadcasting to live performances in clubs. When socialism collapsed in Tanzania, the government-controlled music industry gave way to a vibrant independent music scene. Alex Perullo explores the world of the bands, music distributors, managers, and clubs that attest to the lively and creative music industry in Dar es Salaam. Perullo examines the formation of the city’s music economy, considering the means of musical production, distribution, protection, broadcasting, and performance. He exposes both legal and illegal strategies for creating business opportunities employed by entrepreneurs who battle government restrictions a...
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