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Récits captivants où la fantaisie et l'humour se mêlent à l'étrangeté et où le réel semble se distordre dans la fiction, les films de Mika Rottenberg sont montrés au sein d'installations immersives qui leurs servent d'écrins et prolongent leur univers. Cette nouvelle monographie, s'inscrivant dans la collection publiée avec Les presses du réel en lien avec les expositions du Palais de Tokyo, rassemble des vues d'exposition et une sélection d'oeuvres emblématiques, un entretien, un essai et un ensemble de notices.
Throughout the fin de siècle, "energy" was a buzzword that was used far beyond the boundaries of the sciences to negotiate the formative scope as well as limits of Western modernity. The human body was positioned at the center of the visualization of this enigmatic drive of all movement in discourses on labor and economics, physical culture, sport, art, and literature. It was through the body that this all-pervading and conditioning physical principle as well as its perceptual qualities were to be made tangible. This volume is dedicated to these "energetic bodies." The transdisciplinary individual contributions trace body scenarios of force and energy over the course of history from 1800 to the peak phase around 1900 and up to the present.
Mika Rottenberg’s practice combines video, installations, drawings and sculptures. Many of her works portray absurd assembly-line situations in which work is often being carried out by women whose outsized, far from conventionally beautiful bodies are called into play both as tools and raw materials. Offering captivating narratives in which whimsicality and wit merge with weirdness, and reality morphs into fiction, Rottenberg’s films are presented in the context of immersive installations that plunge the viewer into their world—a world beyond the screen—in a blurring of the borders between the imagined and the real. Book Contents - “Down the Rabbit Hole or Through the Looking Glass...
Céleste Boursier-Mougenot produces systems from everyday situations and objects, as well as devices, of which he then extracts their musical and sound potential. In this way, the artist reconfigures both the rhythmic and melodic possibilities of his materials, which he uses to generate sonic forms that he describes as being “living.” Based on a close relationship with the architectural and spatial nature of the exhibition space, each system creates a framework favoring a multi-sensorial experience for the visitor. In 2015, Céleste Boursier-Mougenot is representing France at the 56th Contemporary Art Biennial in Venice. For the Palais de Tokyo, he has conceived a lakeside landscape,...
Angelica Mesiti has been developing research into methods of communication, beyond speech or writing, to create new languages based on existing systems. In her video installations, she is interested in questions of translation of various cultural phenomena, through sound, music, or the body, spontaneous or choreographed gestures. The artist highlights, with sensitivity and delicacy, the grace and inventiveness of everyday life, while underlining the social and political outreach of music and performance. Book contents: - “Perhaps There Are More Things That Unite Us Than Separate Us,” interview between Angelica Mesiti and Daria de Beauvais. - “What Bodies Say,” by Mathilde Roman. About the authors: - Daria de Beauvais is Senior Curator at the Palais de Tokyo. She curated Angelica Mesiti’s solo show. - Mathilde Roman is an art critic, curator and teacher. Book published on the occasion of Angelica Mesiti’s solo show at the Palais de Tokyo, 20.02 – 12.05.2019
Generous and full of humour, the work of Laure Prouvost examines the relationships between language, image and perception, placing the visitors in situations of doubt and incomprehension, but also a wonder which is both intellectual and sensorial. These situations become immersive installations, inviting escapism, in a dialogue between films, sculptures, paintings, tapestries, performances. Her exhibition at the Palais de Tokyo, “Ring, Sing and Drink for Trespassing”, operates as an ode to diagonal lines, the transcending of limits and the joy of slipping over a fence to discover a wasteland or, a now-abandoned garden. Book Contents - “Little Bees Behind”: interview between Laure Pro...
Featured artists include: Huang Yong Ping, Shen Yuan, Pascale Marthine Tayou (originally from China and Cameroon), Fiona Tan (Indonesian ChineseAustralian), Maria Thereza Alves (Brasilan), Jimmie Durham (Native American), Adel Abdessemed (Algerian), Argelia & Allora y Calzadilla (American-Cuban).
Angelica Mesiti développe une recherche sur des modes de communication en dehors de la parole ou de l’écriture, pour créer de nouveaux langages à partir de systèmes existants. Dans ses installations vidéo, elle s’intéresse aux questions de traduction de phénomènes culturels divers, à travers le son, la musique, le corps, des gestes spontanés ou chorégraphiés. L’artiste met en lumière, avec sensibilité et finesse, la grâce et l’inventivité du quotidien, tout en soulignant la portée sociale voire politique de la musique et de la performance. Livre publié à l’occasion de l’exposition personnelle d’Angelica Mesiti au Palais de Tokyo, 20.02 – 12.05.2019
Edited by Jasper Sharp. Text by Christoph Doswald.
Mel O'Callaghan: Centre of the Centre is the first significant publication dedicated to the practice of this leading contemporary artist. O'Callaghan is a Paris based, Australian born artist whose practice often explores human psychology and behaviours in relation to perseverance and endurance. The 200 page, full colour book is designed by Clemens Habicht, Co-Director of Collider Studios and edited by Talia Linz and Michelle Newton. The book was produced to accompany Centre of the Centre, a major solo exhibition incorporating performance, moving image and sculpture to investigate the elemental template of life on Earth, as a celebration of collective strength through resilience. The exhibiti...