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Name Place Animal Thing
‘There were no longer any signs of the house we stayed in, no doorway with its low entrance, no weeping willow or cryptomeria tree from which the caterpillars fell. The ramshackle cottage that housed my earliest friends and shaped my memories lay bare and forgotten. Only the flying termites remained, fluttering below the street lights outside the property.’ In this novella, Daribha Lyndem gently lifts the curtain on the coming of age of a young Khasi woman and the politically charged city of Shillong in which she lives. Like the beloved school game from which it takes its name, the book meanders through ages, lives and places. The interconnected stories build on each other to cover the breadth of a childhood, and move into the precarious awareness of adulthood. A shining debut, Name Place Animal Thing is an elegant examination of the porous boundaries between the adult world and that of a child’s.
Re-Imagining Northeast Writings and Narratives: Language, Culture, and Border Identity
"Re-Imagining Northeast Writings and Narratives: Language, Culture, and Border Identity" presents a collaborative effort to critically examine the concept of Northeast India, focusing on its linguistic, geographical, cultural, and social dimensions. Through a compilation of articles and essays, the volume delves into various aspects such as language, literature, culture, challenges, and the complexities of identity within the region. Each contribution offers detailed insights and findings, enhancing our understanding of Northeast India's diverse cultural landscape and the experiences of its people. By addressing themes of spatiality, movement, and responses to representations of the Northeast, the volume aims to deepen scholarly engagement with the region and stimulate discourse on its unique linguistic, cultural, and border dynamics. It serves as a valuable resource for researchers, scholars, and anyone interested in gaining a nuanced understanding of Northeast India and its intricate interplay of language, culture, and identity.
We Come From Mist
This book is an offering—of prose, poetry, musical lyrics, and visual art—by the women of Meghalaya in Northeast India. One of the smallest states in the country, but also, one of the most beautiful, Meghalaya is blessed with landscapes that mesmerize and inspire song and story. In the not-so-distant past, though, it has also seen political turbulence and civil unrest, and many of the works here capture that quiet unease—in homes and kitchens, in market-places and public taxis. Yet this anthology is also a celebration. Of wisdom and joy, of queerness and sisterhood, of mothers and feminine bodies, of home and hearths. Of voices new and established. Brought together in one volume by Janice Pariat, a novelist and poet from these hills. Here, we sit together around a fire, and sing, and weep, and dance, and tell stories. We dream of where we came from, the hills, the mist, and dream of what else we are still yet to discover.
Gods and Ends
Philomena Sequeira knows what she wants by the time she turns fourteen. Her father wants something else. Her neighbours deal with adultery, abandonment and abuse, by hoping for a place in heaven. Life is unyielding for the tenants of the rundown Obrigado Mansion in Orlem, a Roman Catholic parish in suburban Bombay. They grapple with love, loss and sin, surrounded by abused wives and repressed widows, alcoholic husbands and dubious evangelists, angry teenagers and ambivalent priests, all struggling to make sense of circumstances they have no control over. Gods and Ends takes up multiple threads of individual stories to create a larger picture of darkness beneath a seemingly placid surface. It is about intersecting lives struggling to accept change as homes turn into prisons. This is a book about invisible people in a city of millions, and the claustrophobia they rarely manage to escape from.
The Plague Upon Us
‘In times like these, truth is perhaps the only justice we can have, the only vengeance we can wreak.’ Blood drips from the pellet-stricken eyes of young Kashmiri men as Oubaid watches insurgency and violence rip through the streets of his homeland. A voice in his head tells him he knows who brought this plague upon them. But acknowledging it would mean that he must relive the horrors that have been inflicted on those he loves... Yet the voice will not leave Oubaid alone, and as he reluctantly confronts his past, there emerge four echoes of a story, narrated by four childhood friends – a youth caught in conflict, the daughter of a social climber, the son of a moneyed landlord and a militant. As their tales diverge and coalesce, they unravel a truth that is not always the sum of its parts – one that reveals the full tragedy of a people buffeted by circumstance and desperately seeking salvation. A taut, searing reflection of our times, The Plague upon Us announces the arrival of an arresting new voice in contemporary fiction.
Next Door
In Eleven Superbly Crafted Stories Jahnavi Barua Takes Us Into The Private, Individual Worlds Of A Varied Cast Of Characters And Exposes The Intricate Mesh Of Emotions So Often Concealed Under The Façade Of Everyday Lives. Innocent Desires And Furtive Longings, The Complexity Of Fierce Love And The Terrible Consequences Of Its Betrayal, Simple Aspirations That Compel Brave Action, Life S Startling Reversals That Reveal Deep Insecurities And Yet Pave The Way For Forgiveness And Reconciliation These Are Just Some Of The Themes Played Out In These Remarkably Nuanced Snapshots Of Life. Predominantly Set In The Verdant, Politically Charged Landscape Of Assam, Yet Constantly Transcending The Particular, The Stories In Next Door Are Unerringly Human. Subtle And Evocative In Their Telling, They Mark The Introduction Of A Highly Accomplished Voice.
Memory, Metaphor, and Aby Warburg's Atlas of Images
The work of German cultural theorist and art historian Aby Warburg (1866–1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg’s death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscri...
50 Toughest Questions of Life
50 Toughest Questions of Life invites people to have a conversation about themselves with themselves. Deepak Ramola's quest began after he was inspired by the life lesson of a young girl who said, 'Life is not about giving easy answers, but answering tough questions.' Over the years, Ramola has amassed life lessons from inspirational sources across the world: from the women of the Maasai tribe to young girls in Afghanistan and sex workers in Kamathipura; from the lessons of earthquake survivors in Nepal to Syrian refugees in Europe, among many more. This book is a collection of fifty such questions that made him pause, along with a bouquet of answers, anecdotes, stories and notes from his journey of teaching human wisdom for a decade. Strikingly fresh, tender, yet searing, these questions will make you reflect and inspire you to push beyond your boundaries.
