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Murrina Vasa
  • Language: en

Murrina Vasa

It was Pliny who provided the longest and most detailed description of MURRINA VASA: Their size never exceeds that of a small table, and, in thickness, they rarely are so thick as the drinking cups mentioned above. Their brightness has no intensity, they are shiny rather than brilliant. But what is really valuable is the variety of colours, since their veins repeatedly turn purple, to snow-white and a third shade between the two, just as when the purple gets inflamed in a change of colour or the milk-white goes red. Some people appreciate above all their outlines and certain reflections in the colours, like those observed in the rainbow. Other people, on the other hand, like thicker veins - any transparency or lack of colour is considered an imperfection - as well as grains and warts that, just as in the human body, are not prominent, but are mostly flat. A certain worth can also ascribed to their smell. -(Naturalis Historia 37.21-2)

Painting in Stone
  • Language: en
  • Pages: 449

Painting in Stone

A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.

Altomani & Sons
  • Language: en
  • Pages: 239

Altomani & Sons

None

Florentine Patricians and Their Networks
  • Language: en
  • Pages: 499

Florentine Patricians and Their Networks

  • Type: Book
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  • Published: 2017-10-02
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  • Publisher: BRILL

In Florentine Patricians and Their Networks, Elisa Goudriaan presents the first comprehensive overview of the cultural world and diplomatic strategies of Florentine patricians in the seventeenth century and the ways in which they contributed as a group to the court culture of the Medici. The author focuses on the patricians’ musical, theatrical, literary, and artistic pursuits, and uses these to show how politics, social life, and cultural activities tended to merge in early modern society. Quotations from many archival sources, mainly correspondence, make this book a lively reading experience and offer a new perspective on seventeenth-century Florentine society by revealing the mechanisms behind elite patronage networks, cultural input, recruiting processes, and brokerage activities.

Antike Porphyrwerke
  • Language: en
  • Pages: 246

Antike Porphyrwerke

  • Type: Book
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  • Published: 1986-10
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  • Publisher: Unknown

None

Italian Forgers
  • Language: en
  • Pages: 259

Italian Forgers

  • Categories: Art

Italian Forgers takes an unorthodox approach to the fascinating topic of art forgery, focusing not on art forgery per se, but on the major forgery scandals that shifted the Italian art market in response to constant, and often intense, demand for Italian objects. By focusing on power dynamics that both precipitated forgery scandals and forged Italian cultural identities, this book connects the debates and discussions about three well-known Italian forgers—Giovanni Bastianini, Icilio Joni, and Alceo Dossena—to anchor and investigate the mechanics of the Italian art market from unification through the fascist era. Carol Helstosky examines foreign accounts of transactions and Italian writin...

Practice and Theory in the Italian Renaissance Workshop
  • Language: en
  • Pages: 367

Practice and Theory in the Italian Renaissance Workshop

  • Categories: Art

Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.

Bella Bella Sampler Quilts
  • Language: en
  • Pages: 213

Bella Bella Sampler Quilts

Create your own Italian tile masterpiece Capture the glory of medieval Italian marble work with 9 breathtaking paper-pieced quilts and 35 mix-and-match blocks designed by Norah McMeeking, author of the best-selling Bella Bella Quilts. Norah's uniquely easy paper-piecing techniques, tips gleaned from years of teaching paper piecing, and comprehensive cutting and materials charts all guarantee your success. Draw on your fabric stash to create new color combinations for these quilts, or try them with coordinating fat quarter packs. • 9 all-new quilts with easy-to-follow instructions • 35 paper-pieced blocks to mix and match into your own quilted masterpieces • Full-size paper-piecing patterns on pullouts

Verrocchio
  • Language: en
  • Pages: 385

Verrocchio

  • Categories: Art

A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC

Mamma Andersson & Jockum Nordstrom: Who is sleeping on my pillow
  • Language: en
  • Pages: 252

Mamma Andersson & Jockum Nordstrom: Who is sleeping on my pillow

  • Categories: Art

Originally published on the occasion of the 2010 exhibition at David Zwirner in New York, Who is sleeping on my pillow marked the first time Andersson and Nordstrom presented their work in concurrent solo shows. The book showcases their work from the late 1980s to 2010 in over two hundred full-color plates, as well as numerous reproductions of family snapshots and source material. The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative art since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie interiors and landscapes. Nordstrom’s detailed collages, watercolors, and drawings occupy a ...