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Dramatic Dance
Dance is part of the art of theatre, a part which connects to movement, to communication, to improvisation, and to performance. It cannot exist on its own in the context of dramatic performance, but works in conjunction with other elements to enable meanings to be created in performance. Dramatic Dance sets a programme for actors to perform dance as part of the drama, offering several approaches which can contribute to developing this understanding, to training this skill, and always ensuring that the whole active and thinking body and mind are fully engaged with the task of making dance an integral and vital part of theatre. To study dance in this way allows students to develop further their understanding of logic and structure in a dramatic text. Many books deal with one aspect of dance or another: some on dance training, some on dance history, some on Rudolf Laban's ideas, some as dance manuals, and some as academic papers. Dramatic Dance is the first book to act as a comprehensive guide for theatre practice, bringing together these different, complementary disciplines.
E. M. Forster’s Material Humanism
Through attending to the nonhuman, E. M. Forster’s Material Humanism: Queer Matters places Forster’s fiction in conversation with contemporary debates concerned with the intersection of neomaterialism, environmental humanities and queer ecology. The book revisits Forster’s liberal humanism from a materialist perspective by focusing on humans’ embodied activities in artificial and natural environments. By examining the everyday embodied experiences of characters, the book thus brings to the fore insignificant and sometimes overlooked aspects in Forster’s fiction. It also places importance on the texts’ treatment of queer intimacy as an embodied experience that can transcend sexual desire. The book acknowledges nonhuman agency as central to our understanding of queerness in Forster’s texts and studies the representation of formless matters such as dust as a way through which Forster’s ecological concerns arise by linking the fate of oppressed humans with oppressed nonhuman others.
Friends, Neighbours, Sinners
Friends, Neighbours, Sinners shows the crucial role of religious difference in shaping English culture and society after 1689. By throwing into relief the cultural impact of England's unstable religious settlement, it highlights the centrality of religious difference to understanding social and cultural change after 1689.
Musical Response in the Early Modern Playhouse, 1603-1625
This book re-examines early modern musical culture to suggest how music shapes meaning in plays by Shakespeare and his contemporaries.
Epistolary Courtiership and Dramatic Letters
Through an analysis of the career of the eminent courtier Sir Thomas Overbury, Epistolary Courtiership and Dramatic Letters re-examines what is meant by courtiership in the Jacobean period. With a particular focus on the years between 1609 and 1613, the book brings together many of the letters surrounding the scandal leading to Overbury's murder and provides an examination of epistolarity in the context of humanist and legal learning. Defining key themes of social mobility, homosociality and the legal power of James VI and I, it exposes the mechanisms by which men rose at his court and provides a context for a new reading of contemporary dramatic texts by Shakespeare, Webster and Chapman. The book argues that the changing performance of courtiership at James's court, the wider knowledge of that reflected in contemporary letters and consequently shifting attitudes, all alter the performance of courtiership in the playhouse.
Operas in English
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive t...
Theatre Record
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British and International Music Yearbook
The directory of the classical music industry.
Thérèse Raquin
‘A story of paralysing passion’ 1860s Paris. In a small dusty haberdasher’s shop near the Seine in the dank, narrow Passage du Pont Neuf, the young and beautiful Thérèse Raquin is trapped into a loveless marriage to her sickly cousin, Camille. While her husband is out all day working, Thérèse spends her days confined behind the counter of a small shop and – every Thursday evening – watching her domineering aunt, Madame Raquin, play dominoes with an eclectic group of ne'er-do-wells. Until the Thursday evening that her husband Camille brings an old friend to the party – the alluring Laurent – and she embarks on an illicit affair that leads Thérèse to abandon all her inhibitions and loyalties as their brutal and overwhelming passion overturns both their lives and has results that nobody could have foreseen... In keeping with the innovative and challenging nature of the original work, this radical new musical adaptation features a company of twelve actor musicians playing the main roles of Thérèse, Laurent, Camille and Madame Raquin, as well as their Thursday night domino playing companions and a watchful and distrustful Chorus.
