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DICOM Structured Reporting
  • Language: en
  • Pages: 396

DICOM Structured Reporting

None

Westwood's parochial directory for the counties of Fife and Kinross. [1st]
  • Language: en
  • Pages: 306

Westwood's parochial directory for the counties of Fife and Kinross. [1st]

  • Type: Book
  • -
  • Published: 1862
  • -
  • Publisher: Unknown

None

Westwood's Parochial Directory for the Counties of Fife and Kinross, Etc
  • Language: en
  • Pages: 306

Westwood's Parochial Directory for the Counties of Fife and Kinross, Etc

  • Type: Book
  • -
  • Published: 1862
  • -
  • Publisher: Unknown

None

Pigot and co.'s national commercial directory of ... Scotland, and of the isle of Man
  • Language: en
  • Pages: 1086
The Scottish Jurist
  • Language: en
  • Pages: 810

The Scottish Jurist

  • Type: Book
  • -
  • Published: 1859
  • -
  • Publisher: Unknown

None

Slater's (late Pigot & Co.'s) Royal National Commercial Directory and Topography of Scotland
  • Language: en
  • Pages: 1662

Slater's (late Pigot & Co.'s) Royal National Commercial Directory and Topography of Scotland

  • Type: Book
  • -
  • Published: 1860
  • -
  • Publisher: Unknown

None

Perth
  • Language: en
  • Pages: 688

Perth

  • Type: Book
  • -
  • Published: 1849
  • -
  • Publisher: Unknown

None

The History of Perth
  • Language: en
  • Pages: 574

The History of Perth

  • Type: Book
  • -
  • Published: 1849
  • -
  • Publisher: Unknown

None

Worrall's directory of the north-eastern counties of Scotland ... Forfar, Fife, Kinross, Aberdeen, Banff, and Kincardine
  • Language: en
  • Pages: 644
Rhythm Changes
  • Language: en
  • Pages: 440

Rhythm Changes

Rhythm Changes: Jazz, Culture, Discourse explores the history and development of jazz, addressing the music, its makers, and its social and cultural contexts, as well as the various discourses – especially those of academic analysis and journalistic criticism – that have influenced its creation, interpretation, and reception. Tackling diverse issues, such as race, class, nationalism, authenticity, irony, parody, gender, art, commercialism, technology, and sound recording, the book’s perspective on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty-first century jazz and popular music.