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On the verge of marriage and a fresh start, Charlie Lewis can't stop thinking about the past, and the events of one particular summer. At sixteen he was failing his classes, and looking after his depressed father. If he thought about the future at all, it was with dread. Then Fran Fisher burst into his life. In order to spend time with Fran, Charlie became a different person: he joined the Company. The price of hope, it seems, is Shakespeare, Romeo and Juliet learned and performed in a theater troupe over the course of a summer. Now Charlie can't go the altar without coming to terms with his relationship with Fran, his friends, and his former self. -- adapted from jacket
In ONE DAY PLUS you can get closer to Em and Dex than ever before. As well as the original bestselling novel this enhanced edition contains never-before-seen footage of David Nicholls discussing One Day and the film adaptation, at an exclusive event during the iTunes Festival on St Swithin’s Day, 15th July 2011. This edition also includes the International trailer for the film directed by Lone Scherfig, starring Anne Hathaway and Jim Sturgess. 15th July 1988. Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And every year that follows? Twenty years, two people, ONE DAY. From the author of the massive bestseller STARTER FOR TEN.
***Pre-order David Nicholls' new novel YOU ARE HERE now - Coming April 2024*** THE DEBUT NOVEL BY BELOVED BESTSELLER DAVID NICHOLLS A comedy about love, class, growing up and the all-important difference between knowledge and wisdom 'Painfully funny' ELLE 'Hugely entertaining' DAILY MAIL 'Wincingly good' TIME OUT 'Unrivalled' GLAMOUR 'I laughed a lot' JEREMY PAXMAN It's 1985 and Brian Jackson has arrived at university with a burning ambition - to make it onto TV's foremost general knowledge quiz. But no sooner has he embarked on 'The Challenge' than he finds himself falling hopelessly in love with his teammate, the beautiful and charismatic would-be actress Alice Harbinson. When Alice fails ...
Physiotherapy is arriving at a critical point in its history. Since World War I, physiotherapy has been one of the largest allied health professions and the established provider of orthodox physical rehabilitation. But ageing populations of increasingly chronically ill people, a growing scepticism towards biomedicine and the changing economy of healthcare threaten physiotherapy’s long-held status. Paradoxically, physiotherapy’s affinity for treating the ‘body-as-machine’ has resulted in an almost complete inability to identify the roots of the profession’s present problems, or define possible ways forward. Physiotherapists need to engage in critically informed theoretical discussio...
Recently divorced actor Stephen C. McQueen (no relation, unfortunately) seems to have a knack for bad luck. But a failed marriage, a stalled career, a judgmental ex-wife, a distant daughter, a horrid little studio apartment in the far reaches of the London suburbs–all these pathetic elements seem to pale in the chiseled face of his newest tormentor: the Twelfth Sexiest Man in the World, Josh Harper. Josh is the star of Mad, Bad, and Dangerous to Know, a biographical play about Lord Byron–and Stephen is his understudy. Not only is Josh fantastically, infuriatingly good-looking, internationally renowned, and remarkably talented, he’s also frustratingly healthy. No matter how many all-nig...
'If you decide to adapt a classic or much-loved book, your working maxim should be, 'How will it work best as a film?' However faithful it is to the original, if it's not interesting onscreen then you've failed.' - William Boyd in Story and Character: Interviews with British Screenwriters Hollywood. Netflix. Amazon. BBC. Producers and audiences are hungrier than ever for stories, and a lot of those stories begin life as a book - but how exactly do you transfer a story from the page to the screen? Do adaptations use the same creative gears as original screenplays? Does a true story give a project more weight than a fictional one? Is it helpful to have the original author's input on the script...
What are word classes? How can we recognize them? What role do they play in regards to punctuation? Grammar in Theory and in Practice was written for those who want straight answers, in plain English, to these crucial, yet rarely asked, questions.This essential guide empowers students to identify parts of speech rapidly, to employ punctuation marks confidently, and to examine syntax precisely, in four popular GCSE texts: Lord of the Flies, Animal Farm, Frankenstein, and 1984. Grammatical categories are neatly defined in the glossary, and each chapter is packed with practical and demanding exercises, testing your knowledge of nouns, verbs, adjectives, adverbs, conjunctions, and prepositions. Topics range from the relatively simple, such as common pronoun errors or subject-verb agreement problems, to the somewhat complex, such as appositives, participles, or rhetorical devices. At the end of the course, there is a large punctuation section that revises the usage of commas, colons, semicolons, hyphens, and apostrophes.
In this companion volume to Deity and Domination, David Nicholls broadens his examination of the relationship between religion and politics. Focusing on the images and concepts of God and the state predominant in eighteenth-century discourse, he shows how these were interrelated and reflect the language of the wider cultural contexts. Nicholls argues that the way a community pictures God will inevitably reflect (and also affect) its general understanding of authority, whether it be in state, in family or in other social institutions. Much language about God, for example, has a primarily political reference: in psalms, hymns and sermons God is called king, judge, lord, ruler and to him are ascribed might, majesty, dominion, power and sovereignty. But if political rhetoric is frequently incorporated into religious discourse, the reverse is also true: many key concepts of modern political theory are secularised theological concepts. In his consideration of this important and neglected relationship Nicholls sheds new light on religion and politics in the eighteenth century.
Extensively revised, the fourth edition of this highly successful book takes into account the many newly determined protein structures that provide molecular insight into chemiosmotic energy transduction, as well as reviewing the explosive advances in 'mitochondrial physiology'-the role of the mitochondria in the life and death of the cell. Covering mitochondria, bacteria and chloroplasts, the fourth edition of Bioenergetics provides a clear and comprehensive account of the chemiosmotic theory and its many applications. The figures have been carefully designed to be memorable and to convey the key functional and mechanistic information. Written for students and researchers alike, Bioenergeti...
From the end of the nineteenth century a national musical consciousness gradually developed in the USA as composers began to turn away from the European conventions on which their music had hitherto been modelled. It was in this period of change that experimentation was born. In this book, the composer and scholar David Nicholls considers the most influential figures in the development of American experimental music, including Charles Ives, Charles Seeger, Ruth Crawford, Henry Cowell, and the young John Cage. He analyses the music and ideas of this group, explaining the compositional techniques invented and employed by them and the historical and cultural context in which they emerged.