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Something Coming
This major contribution to the study of antebellum religious art offers a detailed case study of American postmillennialism and its many visual expressions. Treating paintings as "intersections of cultural expression," Gail E. Husch begins with a single painting to spin out an interpretation in many directions, from the specific aesthetic and social concerns of artist and patron to the wider political and cultural concerns of Americans in the mid-19th century. Arguing that "genuine apocalyptic faith" was fundamental to American Protestants, Husch shows how artists, patrons, and ordinary citizens actively engaged contemporary questions of peace and war, freedom and slavery, and the equality of human beings before God in their visual arts. Part of an emerging revaluation of the role of the religious in American art, Husch asks us to read ideas as they function in works, rather than see images merely as passive illustrations of ideas. Weaving images drawn from high and low culture, politics, and religion, she develops a complex cultural narrative of the times, thus showing the truth of one picture being worth a thousand words.
This Grand & Magnificent Place
A sweeping environmental history of a quintessential American wilderness.
American Paradise
Traces the history of the Hudson River School of American painters, shows works by Church, Cole, and Inness, and describes the background of each painting.
Paintings and Sculpture in the Collection of the National Academy of Design: 1826-1925
This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
Moved to Tears
In this volume, Bedell examines received ideas about sentimental art. Countering its association with trite and saccharine Victorian kitsch, she argues that major American artists--from John Trumbull and Charles Willson Peale in the eighteenth century and Asher Durand and Winslow Homer in the nineteenth to Henry Ossawa Tanner and Frank Lloyd Wright in the early twentieth--produced what was understood in their time as sentimental art: art intended to develop empathetic bonds and to express or elicit social affections, including sympathy, compassion, nostalgia, and patriotism.
Transporting Visions
"Published with the assistance of the Getty Foundation."
Albany Institute of History & Art
Beautifully illustrated introduction and overview to the collections of the Albany Institute of History and Art
Annual Report
None
Fabulous Finds
Offering an insider's look at the exciting modern art scene, this guide dishes out revealing stories and memorable encounters with the rich and famous--including Dr. Ruth Westheimer, Oprah Winfrey, and Luciano Pavarotti--as well as situations the author would rather forget, such as when a famous rock star tried to seduce her. Rich with personal insights and recollections, this entertaining account also offers a wealth of practical advice on how to successfully appraise and purchase fine art, furniture, antiques, and jewelry without getting cheated, whether in the United States or abroad. Tips on how to successfully sell acquisitions are also featured.
