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Colour
History of art / art & design styles.
Issues in the Conservation of Paintings
"This volume will be of interest to teachers and students of conservation and art history, as well as to practicing conservators and museum curators, professionals in related disciplines, and others interested in art history and paintings conservation."--BOOK JACKET.
Impressionism
Readers will enjoy uncovering the secrets, stories, and meaning behind Impressionism. The title will also introduce famous Impressionist artists such as Monet and Degas. This series is at a Level 3 and is written specifically for transitional readers. Aligned to the Common Core standards & correlated to state standards. Dash! is an imprint of Abdo Zoom, a division of ABDO.
Italian Painting Before 1400
In Italy between 1270 and 1370 the whole tradition of European painting underwent a radical and enduring change of direction. This attractive and unusual study of Italian painted panels of the Early Renaissance examines the materials with which this transformation was effected and demonstrates how modern technology has increased our understanding of medieval panel painting. The authors survey the primarily religious function of these works and the professional context in which the artists worked. They provide explanations of the construction of panels and the preparation of wood for painting and of the preparation and application of gold leaf. The substantial sections on pigments and color represent original research done at the Gallery that has enabled the writers to provide the first comprehensive survey of how paints were prepared, mixed, and applied.
Conservation of Paintings
The National Gallery Pocket Guides series, beautifully illustrated from one of the greatest collections of Old Master paintings in the world, introduces central themes in the history of Western art. This GUIDE discusses the main types of conservation treatment carried out on panel and canvas paintings and the complex issues involved in cleaning and restoration. 69 color & 6 b&w illustrations.
Art in the Making: Rembrandt
Rembrandt (1606-1669) is generally regarded as the finest painter of the Dutch "Golden Age." This new edition of Art in the Making: Rembrandt (published on the 400th anniversary of the artist's birth) reexamines 21 paintings firmly attributed to Rembrandt and 6 now assigned to followers. It reassesses his technique, materials, and working methods in the light of significant scholarly developments over the last 20 years, addressing problems of attribution that were hardly touched on in the original, groundbreaking edition of 1988. Introductory essays by distinguished conservation, curatorial, and scientific specialists cover the artist's studio and working methods, the training of painters in 17th-century Holland, and Rembrandt's materials and technique. The essays are followed by handsomely illustrated catalogue entries on 27 paintings. A comprehensive bibliography provides a rich source of information about the practice of oil painting, not only for Rembrandt but for 17th-century Dutch painting in general.
Art in the Making
Displays the American National Gallery's important research into the underdrawings of 15th and 16th century paintings. These preliminary drawings beneath the paint layers can often be made visible by the technique of infra-red reflectography, an area of study which the Gallery has played a leading role.
The Art of Advent
Join Jane Williams on a journey from Advent to Epiphany, and discover the timeless wisdom to be found in some of the world’s greatest paintings. Illustrated in full colour with nearly forty famous and lesser-known masterpieces of Western art, this beautiful book will lead you into a deeply prayerful response to all that these paintings convey to the discerning eye.
Vincent Van Gogh
"Featuring about 50 works by Vincent van Gogh, from his early drawings to his later iconic paintings, this catalogue traces the artist's life, the development of his art, and his significant legacy"--
Venice Through Canaletto's Eyes
Through a group of masterpieces in the National Gallery Collection, which spans the artist's working life, and clusters of works relating to them, this book explores Canaletto's painting technique - the shorthand he developed for architectural detail and for figures, the way the skies and water are painted - and the larger question of his treatment of the topography of his native city. This selection of pictures - including contemporary maps and photographs of modern Venice, as well as sketchbooks, large detailed drawings, paintings and prints - takes the reader on a journey through Canaletto's Venice, along the Grand Canal from S. Simeone Piccolo and the upper reaches, past the Scuola di San Rocco to Palazzo Foscari and the Volta del Canal, on to the Carita and ending in St Mark's Square.
