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Part of the "Topographics" series, David Crowley's study presents a cultural and architectural history of post-war Warsaw.
The arts.
Updated in a new 6th edition, Communication in History reveals how media has been influential in both maintaining social order and as powerful agents of change. With revised new readings, this anthology continues to be, as one reviewer wrote, "the only book in the sea of History of Mass Communication books that introduces readers to a more expansive, intellectually enlivening study of the relationship between human history and communication history". From print to the Internet, this book encompasses a wide-range of topics, that introduces readers to a more expansive, intellectually enlivening study of the relationship between human history and communication history.
Modern life after 1945 seemed to promise both utopia and catastrophe. Both could, it seemed, be achieved at the 'push of a button'. Published to accompany a major V & A exhibition, 'Cold War Modern: Design 1945-1970', this book explores how the politics of the Cold War shaped architecture and design. Reassessing 'classic' designs and introducing many little-known objects.
Lock your doors and gather close . . . if you dare! Once a rising TV journalist, Jerri Bartman has returned to her small Midwest hometown station. Demoted to hosting the nightly Creature Feature, Jerri's professional humiliation is eclipsed by the discovery that her new job comes with a secret, supernatural duty. Her missing predecessor, Count Crowley, was one of the last "Appointed" hunters of monsters. Yes. Monsters. They're real and they're hell bent on controlling the news and information consumed by humans. Everything we've ever been taught about monsters is a lie and Jerri's only possible advisor is a senile male chauvinist. It's 1983 and the outlook for humanity is getting . . . gnarly and their only hope is an alcoholic, acerbic horror host from Missouri. David Dastmalchian's authorial comics debut with artist Lukas Ketner--this terrifying trade collects issues #1-#4 of the Dark Horse Comics series Count Crowley: Reluctant Midnight Monster Hunter!
This state-of-the-art overview reflects the rich variety of approaches and disciplines embraced by contemporary communication studies. The book consists of thirteen original essays by some of the most prominent communication scholars, including Ien Ang, Deidre Boden, David Crowley, James M. Collins, Klaus Krippendorff, William Leiss, Denis McQuail, William Melody, Joshua Meyrowitz, David Mitchell, Mark Poster, Majid Tehranian, John B. Thompson and Teun A. van Dijk.
This work explores the representation, meanings and uses of space in the socialist countries of Eastern Europe and the Soviet Union. The essays investigate the extent to which actual spaces conformed to the dominant political order in the region.
This is an inventive a well-researched study which explores the production and consumption of graphic design in Europe.
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When Sister Margaret Mary is found murdered in her room, Detective Steve McLean arrives at the school to investigate. As he is discussing the case with the school's Mother Superior, two students, Marjorie Johnson and Sarah Collins, come forward with information that reveals a decades old secret that shocks Mother Superior and leaves Steve with many more questions to answer. As the investigation proceeds, more secrets are revealed, including a gruesome discovery in the woods behind the school. Each of the secrets brings even more questions and a heightened feeling of danger. When a second murder victim is found, it becomes clear that Marjorie and Sarah are in danger and the killer must be found as quickly as possible. When Sarah disappears while Steve is at the station looking over new evidence, Marjorie decides that it's up to her to find her friend. Her search leads her to a hidden room in the convent basement, where she finds Sarah with the killer and yet another dead body. While the killer holds the girls captive, the truth and the reasons for the murders are revealed, but the girls will never have a chance to tell anyone else unless help arrives in time.