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Sacred centers -- The difference race makes: Native American Religions, Hinduism, and Judaism -- American Christianity, part 1: backwards neighbors -- American Christianity, part 2: American Christianities as dangerous threats -- Stigma, stupidity, and exclusion: "cults" and Muslims -- List of episodes referenced
"This timely and lively introduction to exploring the intersection of religion and humour evaluates existing scholarship and methodologies within the field, arguing for a culturally critical approach to the study. Hinged on a qualitative sociological framework, this book asks questions about the construction, presentation, and purpose of humour in religious contexts. It is broken down by theoretical approach, with chapters covering: A "comparative religions" approach A theological approach How social sciences offer us useful tools for research A review of existing theoretical models As the first volume to introduce the field of religion and humour, this engaging book is essential reading for students approaching the topic for the first time, and for anyone with an interest in related fields such as religion and popular culture and humour studies"--
Your God is too somber if your posture before him lacks a spirit of joy and a commitment to rejoice as much as possible. While life has its sadness and tragedy, the good news of Jesus Christ is that God’s kingdom has won; and the suffering we face for a time is shorter compared with the endless delight that God promises. So, “Rejoice in the Lord always; again I will say, Rejoice!” (Phil 4:4). Your God is too somber if you embrace a theology of tears, rather than a theology of laughter. Of course, salvation and Christ’s sacrifice are serious business, and we should engage in moments of penitential reflection, confession, and atonement. But all of this so we can shake off the shackles of our shortcomings and celebrate God fully and joyfully. Your God is too somber if you fail to see the humor in the Bible: the calls to joy, paradox, irony, burlesque, play, and wordplay. God laughs, sometimes with us, sometimes at us, and Jesus’s humor is evident in parables and sayings, with the goal of teaching us the truth. Is your God too somber? This book aims to help you answer that question.
Religion and Conspiracy Theories: An Introduction is the first accessible volume to systematically examine the relationship between religion and conspiracy theories in the contemporary world in critical and historical perspective. It lays out the historical development of these important categories, considers different theoretical approaches and looks at case studies of conspiracy theories in religion, about religion and as religion. It maintains a critical perspective throughout on the relationship between truth and power, and in the process provides a fresh perspective on belief and worldviews in our modern world. Designed for use in the classroom, the book features helpful diagrams and resources for teachers. It is an essential read for all students of religion and conspiracy theories, as well as scholars of politics, religious studies, sociology, anthropology and cultural studies.
This timely and lively introduction to exploring the intersection of religion and humour evaluates existing scholarship and methodologies within the field, arguing for a culturally critical approach to the study. Hinged on a qualitative sociological framework, this book asks questions about the construction, presentation, and purpose of humour in religious contexts. It is broken down by theoretical approach, with chapters covering: a “comparative religions” approach; a theological approach; how social sciences offer us useful tools for research; and a review of existing theoretical models. As the first volume to introduce the field of religion and humour, this engaging book is essential reading for students approaching the topic for the first time, and for anyone with an interest in related fields such as religion and popular culture and humour studies.
Critical humorists and religion are steeped in a long-standing cultural antagonism. This book recounts the dramatic skirmishes between religion--its dogma and edicts, political manifestations, and the nature of faith--and the satire, parody, jokes and hyperbole of popular wits. The writings of Twain, Vonnegut, Mencken and Hitchens are included, along with the films of Monty Python, the cartoons of Charlie Hebdo, the animated television series The Simpsons and South Park, the comedy of George Carlin and Bill Maher, the music of Randy Newman and Pussy Riot, the performance monologue of Julia Sweeney and the magic of Penn Jillette.
Seth MacFarlane has made an immense mark on popular culture through both his live action and animated television series: Family Guy, American Dad!, The Cleveland Show, and The Orville. While MacFarlane has garnered a large legion of fans, even those who do not personally watch Family Guy, this longest running series, will be quick to recognize images of Peter and Stewie Griffin: a caricature of the clueless dads from sitcoms of yesteryear and an inexplicably queer-coded evil baby genius, respectively. This book explores Family Guy and Seth MacFarlane's other animated series closely, examining how the series uses satire and other strategies to construct specific ideas related to sex, gender, and family. The authors argue that the series, like many other television series, contribute to our collective understanding of family, and reinforce (at times) unfavorable gender stereotypes.
Charts the development of progressive Christianity’s engagement with modern science, historical criticism, and liberal humanism Christians who have doubts about the existence of God? Who do not believe in the divinity of Jesus? Who reject the accuracy of the Bible? The New Heretics explores the development of progressive Christianity, a movement of Christians who do not reject their identity as Christians, but who believe Christianity must be updated for today’s times and take into consideration modern science, historical criticism, and liberal humanism. Drawing on three years of ethnographic fieldwork in North America, Rebekka King focuses on testimonies of deconversion, collective read...
Although many individuals identify as atheists, little is understood about the belief system beyond the simple lack of a belief in a higher power. Hannah K. Scheidt's Practicing Atheism: Culture, Media, and Ritual in the Contemporary Atheist Network unpacks the cultural products, both corporate-driven and grassroots, that carry messages about atheism to examine the complicated relationship between organized atheism and religion.
This book examines youth media practices on social media, introducing the concept of connective journalism as a precursor to collective political action.