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Metaphors of Genre
In Metaphors of Genre, David Fishelov demonstrates the important role played by analogies in genre theory and provides a critical presentation of four specific analogies that permeate modern genre theory: the biological analogy, the family "metaphor," the institutional perspective, and the "speech act" analogy. While making a critical presentation of the existing theories, Fishelov offers new perspectives and hypotheses within each analogy. The discussion in each case is accompanied with an analysis of some examples from the generic tradition most readily lending itself to that particular analogy: the epic for the biological analogy, the novel for the family "metaphor," comedy for the instit...
Dialogues with/and Great Books
What is the source of a book's perceived greatness and why do certain books become part of the accepted canon? This book presents a fresh perspective on these questions: against prevalent approaches, it explains a work's reputation in terms of its aesthetic qualities or as the result of dictates by social hegemonies (the power view).
The Departure of an Apostle
What was Paul's attitude toward his own death? How did he act and what did he say and write in view of it? What hopes did he hold for himself beyond death? Alexander N. Kirk explores these questions through a close reading of four Pauline letters that look ahead to Paul's death and other relevant texts in the first two generations after Paul's death (AD 70-160). The author studies portraits of the departed Paul in Acts, 1 Clement, the letters of Ignatius, Polycarp's letter To the Philippians, and the Martyrdom of Paul. He also examines portraits of the departing Paul in 1 and 2 Corinthians, Philippians, and 2 Timothy, arguing that Paul's death did not primarily present an existential challenge, but a pastoral one. Although touching upon several areas of recent scholarly interest, Alexander N. Kirk sets forth a new research question and fresh interpretations of early Christian and Pauline texts.
Writing Genres
In Writing Genres, Amy J. Devitt examines genre from rhetorical, social, linguistic, professional, and historical perspectives and explores genre's educational uses, making this volume the most comprehensive view of genre theory today. Writing Genres does not limit itself to literary genres or to ideas of genres as formal conventions but additionally provides a theoretical definition of genre as rhetorical, dynamic, and flexible, which allows scholars to examine the role of genres in academic, professional, and social communities. Writing Genres demonstrates how genres function within their communities rhetorically and socially, how they develop out of their contexts historically, how genres relate to other types of norms and standards in language, and how genres nonetheless enable creativity. Devitt also advocates a critical genre pedagogy based on these ideas and provides a rationale for first-year writing classes grounded in teaching antecedent genres.
Imitate Anacreon!
Despite their rich tradition, the Carmina Anacreontea transmitted in the Palatine Anthology have received little scholarly attention. This neglect is linked to questions concerning their authenticity. Long read as poems by the ancient lyricist Anacreon, they are now regarded instead as imitations of Anacreontic lyricism. This volume presents the latest findings on the language, poetology, tradition, and reception of this lyrical collection.
The Book of Amos and its Audiences
Many studies of the prophetic books assume that a text's addressee and audience are one and the same. Sometimes this is the case, but some prophetic texts feature multiple addressees who cannot be collapsed into a single setting. In this book Andrew R. Davis examines examples of multiple addressees within the book of Amos and argues that they force us to expand our understanding of prophetic audiences. Drawing insight from studies of poetic address in other disciplines, Davis distinguishes between the addressee within the text and the actual audience outside the text. He combines in-depth poetic analysis with historical inquiry and shows the ways that the prophetic discourse of the book of Amos is triangulated among multiple audiences.
Cinema, Religion and the Romantic Legacy
Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addre...
Contemporary Comics Storytelling
What if fairy-tale characters lived in New York City? What if a superhero knew he was a fictional character? What if you could dispense your own justice with one hundred untraceable bullets? These are the questions asked and answered in the course of the challenging storytelling in Fables, Tom Strong, and 100 Bullets, the three twenty-first-century comics series that Karin Kukkonen considers in depth in her exploration of how and why the storytelling in comics is more than merely entertaining. Applying a cognitive approach to reading comics in all their narrative richness and intricacy, Contemporary Comics Storytelling opens an intriguing perspective on how these works engage the legacy of p...
Appreciation Post
"What does an art history of Instagram look like? In this text Tara Ward addresses this question to show that Instagram is best understood as a structure of the visual, which includes not just the process of looking, but what can be seen and by whom. Tracing the platform's own mythology for how it will be integrated into users' lives, Appreciation Post highlights the ways the constraints imposed by the experience of viewing limit the kinds of selves that can be presented on it, showing how the proliferation of technical knowledge, especially amongst younger women, has produced a revitalization of the myth of the masculine genius and a corresponding reinvigoration of masculine audience for ar...
