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This pioneering biography of the British poet and translator David Gascoyne (1916-2001) candidly describes his creative work, involvement with surrealism, addictions, tormented private life, and his many friendships in England and France.
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First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
One of Britain's most distinguished and longest-lived poets still writing, David Gascoyne now offers us this new collection of all the poems he wishes to preserve in a single volume. Superceding the outdated Collected Poems published in 1965, this volume contains numerous previously uncollected poems. Taken together, these poems establish Gascoyne as one of the key figures of the surrealist movement and of the 20th-century literary world. Gascoyne also includes an Introduction in which he reflects back over his long career as a poet.
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The first volume of David Plante's extraordinary diaries of a life lived among the artistic elite, both a deeply personal memoir and a hugely significant document of cultural history
Combining a rich theoretical foundation with practical tips, advice and case studies, Messy Play in the Early Years provides an informative and practical exploration of the unique qualities, characteristics and learning possibilities of messy play. Packed with valuable insights from research and theory, along with practitioner’s experiences, this accessible book will bolster readers’ understanding and appreciation of messy play and demonstrate how a range of material engagements can enhance young children’s development and learning. Exploring an array of resources and a broad spectrum of approaches, including adult-and child-led inquiry, chapters consider how the specific sensory quali...
POETRY TEXTS & ANTHOLOGIES. This is the first anthology of British surrealist writing in the world. Herbert Read's words when he opened the 'Surrealist Poems and Objects' exhibition at the London Gallery at midnight on 24 November 1937 provide the title. The British surrealist movement was, as it were, ploughed under by the Second World War which, as Read spoke, was gathering force. Yet Surrealist output was vibrant and - at its best - durable, and now takes its place in the wider European context of literary Surrealism. Remy's anthology represents one coherent and deeply committed aspect of British poetry between 1930 and 1980. It was the only surrealist movement in Europe to be active, and freely so, during World War II. Here the original texts, most of them unfindable or previously unpublished, emerge from what proved a temporary oblivion. The work is fascinating, stimulating and various. British surrealist writing is at last given a chance to voice its subversion.