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David Gere Account Book
Account book of shoemaker David Gere of Preston, Connecticut.
Eternal
An epic science fiction adventure you will not be able to put down! Eric Richards was living as close to a normal life as one could hope for. With a successful excavation business, Sara, his gorgeous archeologist wife, and twin five year old boys, Michael and David, life was good. That was until he would be confronted with a decision to join in a fight that was not his own. A war had raged for ages behind the veil of this world. Forces greater than they could fathom would clash once again. The fate of all mankind left in the hands of only a few. Only their love would be greater than the darkness that faced them.
How to Make Dances in an Epidemic
David Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine in depth the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide? Gere expands the definition of choreography to analyze not only theatrical dances but also the protests conceived by ACT-UP and the NAMES Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a portrait of gay male choreographers struggling to cope with AIDS and its meanings.
Through Positive Eyes
Through Positive Eyes features photographs and stories from ten cities around the world by 130 HIV-positive "artivists," many using cameras for the first time. Originated as part of the global MAKE ART/STOP AIDS initiative, this project paints a vivid picture of the AIDS epidemic--after its initial outbreak, and as treatment becomes more widely available. It testifies to the resilient spirit of those facing the challenges of HIV.
Taken by Surprise
First comprehensive overview of improvisation in dance.
Looking Out
Looking Out is the first collection of writings to address the impact of multiculturalism on the dance world. It is unique in offering various perspectives, enlisting leading dance critics, performers, choreographers, and academics in a wide-ranging discussion of how dance from around the world can be better understood. Inspired by a groundbreaking 1990 conference of the Dance Critics Association, the book consists of a series of essays, each addressing a different facet of the problems and possibilities of multiculturalism.
Dance on Its Own Terms
Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. Individual chapters serve as case studies that are further organized into three categories of significant dance activity: performance and reconstruction, pedagogy and choreographic process, and notational and other written forms that analyze and document dance. The breadth of the content reflects the richness and vibrancy of the dance field; each deeply informed examination serves as a window opening onto the larger world of dance. Conceptually, each chapter also raises concerns and questions that point to broadly inclusive methodological applications. Engaging and insightful, Dance on its Own Terms represents a major contribution to research on dance.
Dancing Mestizo Modernisms
This book analyzes how national and international dancers contributed to developing Mexico's cultural politics and notions of the nation at different historical moments. It emphasizes how dancers and other moving bodies resisted and reproduced racial and social hierarchies stemming from colonial Mexico (1521-1821). Relying on extensive archival research, choreography as an analytical methodology, and theories of race, dance, and performance studies, author Jose Reynoso examines how dance and other forms of embodiment participated in Mexico's formation after the Mexican War of Independence (1821-1876), the Porfirian dictatorship (1876-1911), and postrevolutionary Mexico (1919-1940). In so doi...
Public Theatres and Theatre Publics
Public Theatres and Theatre Publics presents sixteen focused investigations that connect theatre and performance studies with public sphere theory. The organizing critical lens of publics and publicness allows for the chapters to speak to one another other across time periods and geographies, inviting readers to think about how performing in public shapes and circulates concepts of identity, notions of taste or belonging, markers of class, and possibilities for political agency. Each essay presents a theorized case study that grapples with fundamental questions of how individuals perform in public contexts. The essays, written by a cross-section of prominent and emerging theatre and performance scholars, contribute new discussions and understandings of how theatre and performance work, as well as how publics, publicity, and modes of publicness have been constructed and contested over the last three centuries and in multiple national contexts including the US, Britain, France, Germany, Argentina and Egypt.
Queer Dance
Queer Dance challenges social norms and enacts queer coalition across the LGBTQ community. The book joins forces with feminist, anti-racist, and anti-colonial work to consider how bodies are forces of social change.
