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David Goldblatt, renowned South African photographer, got 2006 Hasselblad award, the most important of the world.
Winner of the William Hill Sports Book of the Year Award. From the ancient Greeks to today’s festival of sponsors – this is the definitive sporting, social and political history of the Olympic Games. 'An excellent, pacy, anecdote-studded history of the modern Games' – The Times The Olympic Games have become the greatest show on earth. But how was such a ritual invented? Why did it prosper and how has it been so utterly transformed? In The Games, sports historian David Goldblatt takes on a breathtakingly ambitious search for the answers and brilliantly unravels the complex strands of this history. Beginning with the Olympics as a sporting side show at the great Worlds Fairs of the Belle...
The epic exploration of football in the twenty-first century through the prism of sociology, politics, and economics, by David Goldblatt, the critically acclaimed author of The Ball is Round. 'David Goldblatt is not merely the best football historian writing today, he is possibly the best there has ever been' - Dominic Sandbrook, Sunday Times In the twenty-first century football is first. First among sports themselves, but it now commands the allegiance, interest and engagement of more people in more places than any other phenomenon. In the three most populous nations on the earth – China, India and the United States where just twenty years ago football existed on the periphery of society ...
David Goldblatt grew up in the South African town of Randfontein, which was shaped by the social culture and financial success of the gold mines surrounding it. When these mines started to fail in the mid-sixties Goldblatt began taking photos of them, which form the basis of 'On the Mines'. The book features an essay on the human and political dimensions of mining in South Africa by Nobel laureate Nadine Gordimer, whose writing has long influenced Goldblatt.
WINNER of the William Hill Sports Book of the Year Award 2015 In the last two decades football in Britain has made the transition from a peripheral dying sport to the very centre of our popular culture, from an economic basket-case to a booming entertainment industry. What does it mean when football becomes so central to our private and political lives? Has it enriched us or impoverished us? In this sparkling book David Goldblatt argues that no social phenomenon tracks the momentous economic, social and political changes of the post-Thatcherite era in a more illuminating manner than football, and no cultural practice sheds more light on the aspirations and attitudes of our long boom and now calamitous bust. A must-read for the thinking football fan, The Game of Our Lives will appeal to readers of Fever Pitch by Nick Hornby and Inverting the Pyramid by Jonathan Wilson. It will also be relished by readers of British social history such as Austerity Britain by David Kynaston. 'Brilliantly incisive. Goldblatt is not merely the best football historian writing today, he is possibly the best there has ever been. Goldblatt's book could hardly be more impressive' Sunday Times
Learn to bend it like Beckham and dribble like Ronaldinho with this ultimate ebook to planet football Experience the excitement, the passion and the glory of arguably the world�s greatest sport � football. You�ll relive the finest moments of the players, coaches, and teams who have created football history and learn everything from match highlights to the inside stories on players, managers and fans. Discover all you need to know on the clubs, the rituals, the stats and the results. Plus find out about the laws, the tactics, the science, and the art of the beautiful game.
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After On the Mines, The Transported of KwaNdebele is the second of David Goldblatt's books to be redesigned and expanded by the artist for Steidl Publishers. Dating originally from 1989, it talks about the workers of an apartheid tribal homeland for blacks, KwaNdebele, which has no industry, very few opportunities for jobs and is a long way from the nearest industrial-commercial activity of white-controlled Pretoria. Workers from KwaNdebele catch buses in the very early morning, some as early as 2:45 am, in order to be at their workplaces in Pretoria by 7:00. At the end of the day they repeat the journey in the other direction, to get home at between 8 and 10 pm. Goldblatt takes us on their ...
This exciting collection of David Goldblatt's essays, available for the first time in one volume, uses the metaphor of ventriloquism to help understand a variety of art world phenomena. It examines how the vocal vacillation between ventriloquist and dummy works within the roles of artist, artwork and audience as a conveyance to the audience of the performer's intentions, emotions and beliefs through a created performative persona. Considering key works, including those of Nietzsche, Foucault, Socrates, Derrida, Cavell and Wittgenstein, Goldblatt examines how the authors use the framework of ventriloquism to construct and negate issues in art and architecture. He ponders 'self-plagiarism'; why the classic philosopher cannot speak for himself, but must voice his thoughts through fictional characters or inanimate objects and works. With a close analysis of two ventriloquist paintings by Jasper Johns and Paul Klee, a critical commentary by Garry L. Hagberg, and preface by series editor Saul Ostrow, Goldblatt's thoroughly fascinating book will be an invaluable asset to students of cultural studies, art, and philosophy.