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Beware of Small States
''Beware of small states, '' wrote the Russian anarchist Michail Bakunin, for they are the victims of greater states, yet a source of danger to them, too. Lebanon - a country half the size of Vermont - might almost have been designed to be the ''small state '' of the Middle East. It is the battleground on which the region's greater states pursue their strategic, political and ideological conflicts - conflicts that sometimes escalate into full-scale proxy wars. In this magisterial history of Lebanon, from the end of the Ottoman rule to the Hizbullah and Hamas wars of today, David Hirst, the acclaimed and fiercely independent Middle East journalist and historian, charts with extraordinary skil...
Tragicomedy
In this brief study, originally published in 1984, David Hirst examines the meaning of the term ‘tragicomedy’ by elucidating the most important theories of the genre and by analysing those plays which represent its most vital and influential expression. He draws a distinction between tragicomedies and conceived as a careful fusion of contrasted dramatic elements and as a mixed genre which seeks to exploit a volatile combination of theatrical extremes. In the first part he compares neo-classical romance and satire. The plays of Shakespeare, Fletcher and Corneille, seen in the context of the literary theory of Guarini, are contrasted with Marlowe and the writers of revenge tragedy. The second part examines the conflict of Romanticism and realism in nineteenth- and twentieth-century theatre. Shaw, Chekhov and the Absurdists are viewed in relation to the key theories of tragicomedy expounded by Brecht, Artaud and Pirandello. The study concludes with a consideration of certain significant contemporary plays – by Edward Bond, Peter Nichols and Peter Barnes – in the context of the historical development of the genre.
Sadat
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Comedy of Manners
First published in 1979, this book traces comedy of manners from the 1660s to the then present — a scope beyond the traditional focus on the Restoration and early twentieth century. It uncovers an underestimated subversive potential and socially critical force in this particularly English dramatic form, emphasising the distinctive subjects and style that distinguish it from more general forms of witty social satire. The author discusses the major comic dramatists of the post-Restoration period; reassesses the significance of Sheridan, Wilde and Coward; and examines the continuation of the tradition in modern writers. This book will be of interest to students of English literature and drama.
(Mis)representing Islam
Explores how élite broadsheet newspapers are implicated in the production and reproduction of anti-Muslim racism in Britain.
St. Catherines
St. Catherines is the story of how a team of archaeologists found the lost sixteenth-century Spanish mission of Santa Catalina de Guale on the coastal Georgia island now known as St. Catherines. The discovery of mission Santa Catalina has contributed significantly to knowledge about early inhabitants of the island and about the Spanish presence in Georgia nearly two centuries before the arrival of British colonists.
Giorgio Strehler
For at least the last half-century, Strehler has been an influential and integral part of European theatrical life; today he is most closely associated with the Teatro Piccolo in Milan, Italy's foremost repertory theatre. Outside Italy, Strehler is best known through his directorship of the Paris-based Théâtre de l'Europe, his opera productions, and the plays in the Piccolo repertoire which have toured widely. In this detailed study, David Hirst evaluates the particular qualities which typify Strehler's work: the lyrical realism which has become the hallmark of his mature style, the fusion of naturalism, epic theatre, commedia dell'arte and lyric opera, and the gift of interpretation and production. Hirst traces this unique style through Strehler's development from the foundation of the Piccolo to the present day and analyses his productions of Goldoni, Shakespeare, Brecht and Verdi among others.
Fateful Triangle
Contents Foreword by Edward W. Said Preface to the Updated Edition 1. Fanning the Flames 2. The Origins of the "Special Relationship" 3. Rejectionism and Accommodation 4. Isreal and Palestine: Historical Backgrounds 5. Peace for Galilee 6. Aftermath 7. The Road to Armageddon 8. The Palestinian Uprising 9. "Limited War" in Lebanon 10. Washington's "Peace Process" Index An Excerpt from Fateful Triangle, Updated Edition For some time, I've been compelled to arrange speaking engagements long in advance. Sometimes a title is requested for a talk scheduled several years ahead. There is, I've found, one title that always works: "The current crisis in the Middle East." One can't predict exactly what...
The Incident Room
It's 1975. In Leeds, the Millgarth Incident Room is the epicentre of the biggest manhunt in British police history. We follow Sergeant Megan Winterburn as she joins hundreds of officers working around the clock to find the man known as the Yorkshire Ripper. With public pressure mounting, the investigation resorts to increasingly audacious attempts to catch one of Britain's most notorious serial killers. Olivia Hirst and David Byrne's play The Incident Room goes behind the scenes to investigate the case that broke the British police force. It was first staged at the Edinburgh Festival Fringe in 2019, and receives its London premiere at the New Diorama Theatre in February 2020.
