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Follows a young Cambridge undergraduate from his call-up in 1942, through training as a tank officer, the landings in Normandy, and his command of a Sherman tank in the vicious post - D-Day battles to his eventual return. This work gives an first-hand account of the effect of military service, culminating in battle, death and injury.
To mark the seventieth birthday of one of Britain's most prolific writers, teachers and academics from the United States, Canada and the United Kingdom contributed a collection of specially written essays defining and appraising Holbrook's work in all its varieties. The result is Powers of Being, which addresses the issues proposed by Holbrook and celebrates a singular and distinguished literary achievement.
Never before published in the United States, David Holbrook's study offers the sort of common sense all too uncommon in this area of study. His essential premise is that sex has become converted from an instrument for the expression of happiness and affection into an end unto itself. In the search for sexual liberation, all that has been accomplished is the mechanization of sexuality and the destruction of the full range of emotions that nourish the human search for social and biological meaning. Sex and Dehumanization is one of those rare books that will immediately strike the reader as part of the common wisdom that has somehow been lost in a search for the pleasure principle unhinged from...
Admirers of the work of Sylvia Plath will welcome this new paperback edition of a study, first published by The Athlone Press in 1976, which provides coherent and persuasive readings of her poetry. Drawing upon the traditional skills of the literary critic, David Holbrook also deploys the illumination of both psychoanalysis and phenomenology in a pioneering work of literary, individual and cultural interpretation.
Dickens, of course, had to accept the conventions of his time. Clearly the Victorian problem - which was man's problem as much as it was woman's - was that of bringing the ideal woman and the libidinal woman together. It is obvious, argues Holbrook, that Dickens idealized the father-daughter relationship, and indeed, any such relationship that was unsexual, like that of Tom Pinch and his sister, but why? And why, for example, is the image of woman so often associated with death, as in Great Expectations? Dickens's own struggles over relationships with women have been documented, but much less has been said about the unconscious elements behind these problems.
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Alerts students and teachers in education and the humanities to the area of thought known as Continental or reflective philosophy. This book discusses the various disciplines included in this philosophy that come under the rubric of philosophical anthropology: philosophical biology, psychoanalysis, phenomenology, and branches of postcritical philosophy.
Why are the women Shakespeare created often so perplexing? Why do children fear witches in fairy tales? throughout literature these and other powerful and compelling images of women occur frequently: the enigmatic temptress, the supernatural goddess, and the earth mother. In Images of Woman in Literature, David Holbrook, literary critic, novelist, and poet, shows how recent insights from psychoanalysis have much to tell us about man's unconscious fear of women and how this fear is personified in these universal images.