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Liszt: My Travelling Circus Life
Liszt, a dominant figure in the Romantic movement, has lately been the subject of a number of scholarly studies. However, many aspects of his intermittent relationship with Britain and with a largely philistine British public have necessarily been overlooked in earlier depictions of the broad sweep of his life. Here Dr Allsobrook brings together, for the first time, and in fascinating and varied detail, the story of Liszt's encounters with the English provinces, Scotland and Ireland during the two long tours he made in 1840 and 1841. Using extracts and charming line drawings from the diaries of John Parry, and from Liszt's letters home, the narrative is set in a rich social context.
Liszt
Liszt, a dominant figure in the Romantic movement, has lately been the subject of a number of scholarly studies. However, many aspects of his intermittent relationship with Britain and with a largely philistine British public have necessarily been overlooked in earlier depictions of the broad sweep of his life. Here Dr Allsobrook brings together, for the first time, and in fascinating and varied detail, the story of Liszt's encounters with the English provinces, Scotland and Ireland during the two long tours he made in 1840 and 1841. Using extracts and charming line drawings from the diaries of John Parry, and from Liszt's letters home, the narrative is set in a rich social context.
Music for Wales
None
Recollections of R.J.S. Stevens
Editor Mark Argent also provides the introduction to the diaries of composer and organist R.J.S. Stevens (1757-1837), a musician who reports the warp and fabric of his society from the late Baroque through the early Romantic periods. The Stevens papers also provide a fund of information about the singing of glees in London. Annotation copyrighted by Book News, Inc., Portland, OR
First in the World
This volume celebrates 50 years of the National Youth Orchestra of Wales, the first national youth orchestra in the world. The authors cover the contributions of significant individuals, such as Irwyn Walters and Arthur Davison, and record the names of hundreds of past members.
Dreams of Love
"Dreams of Love: Playing the Romantic Pianist explores the attractions of the concert pianist from an innovative interdisciplinary perspective, demonstrating how such meanings have evolved over two centuries through technology and the popular media, including literature and cinema. Author Ivan Raykoff uses romantic both as the label for a historical era and musical style, as well as the more colloquial adjective referring to love, desire, and sensual feeling. Through this two-fold interpretive approach, music history and cultural mythology are read alongside one another to reveal the interconnected processes of music's social mediation. The word playing also invites multiple readings: performance or practicing, as pastime or profession, as play-acting and other modes of representation, or reproduction like a player piano. The Romantic pianist signifies more than just music; through established rituals and familiar representations of practicing, performing, and listening, the pianist also plays within a larger system of cultural ideology linking music to aspects of gender, sexuality, personal identity and social relationships, and the politics of the body."
The Arnoldian
None
A History of Welsh Music
From early medieval bards to the bands of the 'Cool Cymru' era, this book looks at Welsh musical practices and traditions, the forces that have influenced and directed them, and the ways in which the idea of Wales as a 'musical nation' has been formed and embedded in popular consciousness in Wales and beyond. Beginning with early medieval descriptions of musical life in Wales, the book provides both an overarching study of Welsh music history and detailed consideration of the ideas, beliefs, practices and institutions that shaped it. Topics include the eisteddfod, the church and the chapel, the influence of the Welsh language and Welsh cultural traditions, the scholarship of the Celtic Revival and the folk song movement, the impacts of industrialization and digitization, and exposure to broader trends in popular culture, including commercial popular music and sport.
Women and the Nineteenth-Century Lied
This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, th...
