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This book is the most up to date and thorough account of the natural history of the plants that comprise the most important food crop on Earth, the grasses and grasslands.
David Gibson explores the role played by plants (and fungi) in investigating crime. Highlighting a range of real cases in which botanical evidence was involved, he describes how leaves, seeds, and moss fragments can link a suspect to a crime scene. He also considers cases in which plants themselves can be the subject of crime.
A user-friendly introduction to the methodology of plant population ecology research.
A comprehensive assessment of the effects of climate change on global grasslands and the mitigating role that ecologists can play.
This second edition provides authoritative guidance on research methodology for plant population ecology. Practical advice is provided to assist senior undergraduates and post-graduate students, and all researchers, design their own field and greenhouse experiments and establish a research programme in plant population ecology.
The Art of Producing is the first book to standardize a specific production process for creating a successful music project from start to finish. Learn how to develop a step-by-step process for critiquing all of the musical components that go into creating a highly refined production that works for all styles of music. The book provides a well-rounded perspective on everything that goes into producing, including vital information on how to creatively work with bands, groups and record companies, and offers insight into high level values and secrets that famous producers have developed through years of trial and error. The book covers detailed production techniques for working with today’s latest digital technologies including virtual recording, virtual instruments, and MIDI tracking. Take these concepts, adapt them to your own personal style and you will end up with a successful project of the highest attainable quality with the most potential to be become a hit – or just affect people really deeply.
David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.
An exploration of a conceptual distinction between Calvin's theology as christocentric in a soteriological sense, and Barth's as christocentric in a principial sense.
With an escalating number of criminals going to prison, longer sentences, overcrowded and ineffective regimes, high rates of re-offending and an eclectic penal policy, there is a prison crisis. In this book, the author argues that this penal malaise is grounded in media sensationalism of crime and the need of politicians and their advisers to retain electoral credibility. Change is long overdue, but it requires a fresh, contemporary penology based on restorative justice. This book challenges the status quo, asks 'different questions' and places victims of crime at the centre of the criminal justice process.
This volume aims to engage with Karl Barth's questions and answers on a range of topics vital to Christian theology. Specifically, whether by going beyond, behind or against Barth, the chapters presented here attempt to provide a contemporary orientation to certain aspects of Barth's theology that can be deemed problematic from the standpoint of historic, confessional evangelicalism. Why engage with Barth? And why the particular approach of this book? The answer to the first question is that Barth's significance as arguably the greatest theologian of the twentieth century - increasingly being recognized in an ongoing renaissance of international Barth scholarship - means that Barth provides both opportunity and challenge for evangelicalism. There is renewed interest in the question of how evangelicals should or should not appropriate Barth. Given the sheer diversity within worldwide evangelicalism, a consensus is unlikely to be reached. Be that as it may, in a range of areas, evangelical theology stands to gain from careful and critical listening to what Barth has to say.