Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Fall of the House of Poe
Why was Edgar Allan Poe unable to form either emotional or sexual bonds with the women in his life? Why did he worship at the grave of his friend's mother-a woman he may have loved but who he could have never been intimate with? Why did he marry his 13 year-old cousin and what impact did her tragic death have on his literary creations? Why do the female characters in his short stories endure disturbingly sadistic punishment and torture at the hands of an almost overtly mad husband or acquaintance? Through both a feminist and psychoanalytic analysis, The Fall of the House of Poe attempts to explain Poe's morbid treatment of the female characters in his short stories by examining his own disturbingly tragic experiences with women throughout his short life. Ultimately this book elucidates unequivocally the acute psychological motivations for Poe's profoundly psychoanalytic tales of horror and imagination.
Chronicling Trauma
To attract readers, journalists have long trafficked in the causes of trauma--crime, violence, warfare--as well as psychological profiling of deviance and aberrational personalities. Novelists, in turn, have explored these same subjects in developing their characters and by borrowing from their own traumatic life stories to shape the themes and psychological terrain of their fiction. In this book, Doug Underwood offers a conceptual and historical framework for comprehending the impact of trauma and violence in the careers and the writings of important journalist-literary figures in the United States and British Isles from the early 1700s to today. Grounded in the latest research in the field...
The Civil War Dead and American Modernity
The "ghastly spectacle": witnessing Civil War death -- Body images: the Civil War dead in visual culture -- Blood and ink: historicizing the Civil War dead -- Plotting mortality: the Civil War dead and the narrative imagination
The Civil War Veteran
The Civil War Veteran presents a profound but often troubling story of the postwar experiences of Union and Confederate Civil War veterans. Most ex-soldiers and their neighbors readjusted smoothly. However, many arrived home with or developed serious problems; poverty, drug and alcohol addiction, and other manifestations of post traumatic stress syndrome, such as flashbacks and paranoia, plagued these veterans. Black veterans in particular suffered a particularly cruel fate: they fought with distinction and for their freedom, but postwar racism obliterated recognition of their wartime contributions. Despite these hardships, veterans found some help from federal and state governments, through...
Appalachian Crisis
Set at the time of John Brown's raid on Harper's Ferry and the Civil War, this is the story of six men and their desire to free and educate slaves.
When Johnny Comes Marching Home Again
When Johnny Comes Marching Home Again spotlights the stories of three soldiers in three wars. Three soldiers. Each someone's Johnny. Father, son. Brother, cousin. Husband, lover. Just plain buddy. Three conflicts. Civil War, pitting brother against brother, North against South, Yank against Johnny Reb. Vietnam War, North-South strife with Orwellian overtones. War on Terror, Afghanistan theater. Three life-and-death stories in screenplay format: "Owl Creek Bridge," based on the Civil War stories of Ambrose Bierce, and expanded to feature-film length by incorporating the Siege of Vicksburg. "Sleeping With Charlie," adapted from the author's short story "Cu Chi." "Dawn's Early Light," P.O.W. drama inspired by a Leo Tolstoy tale and a cinematic rendition thereof by Sergei Bodrov Senior.
Romantic Generations
Unlike the first two volumes of "ANGLES" on the English-Speaking World, this special issue does not originate in a set of conference papers. The idea of compiling a collection of essays on Romanticism emerged from the unusually strong concentration on Romantic studies among the graduate students of the English Department a couple of years ago. This volume places their work in the context of distinguished international scholars of greater seniority, scholars who have become academic contacts through conferences and assessment committees, and whose contributions I am very pleased to be able to include alongside the works of local contributors. The Romantic generations of the title of this volu...
Civil War Memories
Why has the Civil War continued to influence American life so profoundly? Winner of the 2018 Book Prize in American Studies of the British Association of American Studies At a cost of at least 800,000 lives, the Civil War preserved the Union, aborted the breakaway Confederacy, and liberated a race of slaves. Civil War Memories is the first comprehensive account of how and why Americans have selectively remembered, and forgotten, this watershed conflict since its conclusion in 1865. Drawing on an array of textual and visual sources as well as a wide range of modern scholarship on Civil War memory, Robert J. Cook charts the construction of four dominant narratives by the ordinary men and women...
Facing America
Facing America: Iconography and the Civil War investigates and explains the changing face of America during the Civil War. To conjure a face for the nation, author Shirley Samuels also explores the body of the nation imagined both physically and metaphorically, arguing that the Civil War marks a dramatic shift from identifying the American nation as feminine to identifying it as masculine. Expressions of such a change appear in the allegorical configurations of nineteenth-century American novels, poetry, cartoons, and political rhetoric. Because of the visibility of war's assaults on the male body, masculine vulnerability became such a dominant facet of national life that it practically obli...
Gothic Utterance
The Gothic has always been interested in strange utterances and unsettling voices – from half-heard ghostly murmurings and the admonitions of the dead, to the terrible cries of the monstrous nonhuman. Gothic Utterance is the first book-length study of the role played by such voices in the Gothic tradition, exploring their prominence and importance in the American literature produced between the Revolutionary War and the close of the nineteenth century. The book argues that the American Gothic foregrounds the overpowering affect and distressing significations of the voices of the dead, dying, abjected, marginalised or nonhuman, in order to undertake a sustained interrogation of what it means to be and speak as an American in this period. The American Gothic imagines new forms of relation between speaking subjects, positing more inclusive and expansive kinds of community, while also emphasising the ethical demands attending our encounters with Gothic voices. The Gothic suggests that how we choose to hear and respond to these voices says much about our relationship with the world around us, its inhabitants – dead or otherwise – and the limits of our own subjectivity and empathy.
