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Forms of Engagement sheds light on questions of poetic form in women's poetry. It traces the influences on the work of Lucy Hutchinson, Katherine Philips, and Margaret Cavendish, allowing readers to understand better both how women composed their poems and how they engaged with their contemporaries.
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.
More than a thousand Quaker female ministers were active in the Anglo-American world before the Revolutionary War, when the Society of Friends constituted the colonies' third-largest religious group. Some of these women circulated throughout British North
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
" "Moira Ferguson has selected wisely from well-known and little-known figures and from fiction, polemic and poetry to illustrate the long and diverse history of feminist reflection up to and including Mary Wollstonecraft.... Good reading for scholars and a fine book for classroom use." -- Natalie Zemon Davis." -- from back cover.
This collection investigates the world of nineteenth-century Quaker women, bringing to light the issues and challenges Quaker women experienced and the dynamic ways in which they were active agents of social change, cultural contestation, and gender transgression in the nineteenth century. New research illuminates the complexities of Quaker testimonies of equality, slavery, and peace and how they were informed by questions of gender, race, ethnicity, and culture. The essays in this volume challenge the view that Quaker women were always treated equally with men and that people of color were welcomed into white Quaker activities. The contributors explore how diverse groups of Quaker women nav...
"A brilliant, original, and powerful book. . . . This is the most skillful integration of feminism and Marxist literary criticism that I know of." So writes critic Stephen Greenblatt about The Proper Lady and the Woman Writer, Mary Poovey's study of the struggle of three prominent writers to accommodate the artist's genius to the late eighteenth- and early nineteenth-century ideal of the modest, self-effacing "proper lady." Interpreting novels, letters, journals, and political tracts in the context of cultural strictures, Poovey makes an important contribution to English social and literary history and to feminist theory. "The proper lady was a handy concept for a developing bourgeois patria...
Ratcliffe (English, Marquette U.) posits strategies for conceptualizing feminist theories of rhetoric from the writings of Woolf, Daly, and Rich. She situates their rhetorical theories within current discussion about feminist pedagogy, and reconsiders Roland Barthes' The Old Rhetoric in light of issues that emerge in daily life, such as who can talk, where one can talk, and how one can talk. Annotation copyright by Book News, Inc., Portland, OR
This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Dryden's poetry and prose - all the major poems in full, literary criticism, and translations - to give theessence of his work and thinking.John Dryden (1631-1700) was the leading writer of his day and a major cultural spokesman following the restoration of Charles II in 1660. His work includes political poems, satire, religious apologias, translations, critical essays and plays. This anthology includes all the major poems such asMacFlecknoe and Absalom and Achitophel as well as Dryden's classical translations; his versions of Homer, Horace, and Ovid are reproduced in full. There are also substantial selections from Dryden's Virgil, Juvenal, and other classical writers. Fables, Ancient and Modern, taken from Chaucer, Ovid,Boccaccio, and Homer, his last and possibly greatest work, also appears in full.