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Georgian Gardens
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Gardens of Court and Country
Gardens of Court and Country provides the first comprehensive overview of the development of the English formal garden from 1630 to 1730. Often overshadowed by the English landscape garden that became fashionable later in the 18th century, English formal gardens of the 17th century displayed important design innovations that reflected a broad rethinking of how gardens functioned within society. With insights into how the Protestant nobility planned and used their formal gardens, the domestication of the lawn, and the transformation of gardens into large rustic parks, David Jacques explores the ways forecourts, flower gardens, bowling greens, cascades, and more were created and reimagined over time. This handsome volume includes 300 illustrations - including plans, engravings, and paintings - that bring lost and forgotten gardens back to life.
Chiswick House Gardens
The grounds at Chiswick House are amongst the most iconic of all the historic gardens of Europe. In the 1720s they reflected Lord Burlington’s innovative ideas on Palladianism and antique gardens, whilst the area transformed by William Kent to give a rustic appearance in the early 1730s has been recognised as one of, or perhaps the, birthplace of the landscape garden. The grounds were periodically brought to the forefront of taste, reaching another high point as the venue for spectacular garden parties under the 6th Duke of Devonshire. As a garden of many periods it has given rise to passionate national debates since World War II on the principles of restoration, and as a public park it ha...
Jacques-Louis David and Jean-Louis Prieur, Revolutionary Artists
A comparative study of the French Revolution's most famous artist and a little-known illustrator.
The First Proofs of the Universal Catalogue of Books on Art
Reprint of the original, first published in 1870.
Necklines
This book examines the crucial period in the painter's career as he struggled to save his neck and recast his identity in the aftermath of the Reign of Terror. Burcharth assesses his works in the context of the larger cultural and social formations emerging in France concluding with an interpretation of the unfinished portrait of Juliette Recamier.
The Conspiracy of Modern Art
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.
