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Tantric Visions of the Divine Feminine
The Hindu pantheon is rich in images of the divine feminine—deities representing a wide range of symbolic, social, and meditative meanings. David Kinsley's new book documents a highly unusual group of ten Hindu tantric goddesses, the Mahavidyas, many of whom are strongly associated with sexuality and violence. What is one to make of a goddess who cuts her own head off, or one who prefers sex with a corpse? The Mahavidyas embody habits, attributes, or identities usually considered repulsive or socially subversive and can be viewed as "antimodels" for women. Yet it is within the context of tantric worship that devotees seek to identify themselves with these forbidding goddesses. The Mahavidy...
Tantric Visions of the Divine Feminine
What is one to make of a group of goddesses that includes a goddess who cuts her own head off, a goddess who sits on a corpse while pulling the tongue of a demon, or a goddess who prefers sex with corpses? Tantra visions of the Divine Faminine deals with
Tantric Visions of the Divine Feminine
What is one to make of a group of goddesses that includes a goddess who cuts her own head off, a goddess who sits on a corpse while pulling the tongue of a demon, or a goddess who prefers sex with corpses? Tantra visions of the Divine Faminine deals with
The Sword and the Flute
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Hindu Goddesses
Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.
The Goddesses' Mirror
Discusses the cultural background and meaning of ten goddesses, including Aphrodite, Isis, Athena, Durga, Laksmi, and Sita
Ecology and Religion
The first of its kind, this book provides a cross-cultural perspective on ecology and religion. The book surveys and discusses concepts of ecology in traditional cultures, Asian religious traditions, and contemporary culture. Includes substantial discussions of current ecological movements and several ecovisionaries. For anyone interested in Religious Studies.
Old Age
THE NEW YORK TIMES BESTSELLER 'A witty, elegant and unsentimental meditation on the business of getting old' THE TIMES The notorious baby boomers are approaching the end and starting to plan their final moves in the game of life. ‘What was that all about?’ they’re asking. ‘Was it about acquiring things or changing the world? Was it about keeping all your marbles? Or is the only thing that counts after you’re gone the reputation you leave behind?’ In Old Age: a beginner’s guide, Michael Kinsley answers the questions we are all forced to confront sooner or later.
The Divine Player
The divine player attempts to analyze the relationship between play and religion in the context of Hinduism. It focuses primarily on the youthful god Krsna. The first part part of the book surveys the role of play among the gods and concludes that play seems to be an intrinsic part of the divine in Hinduism. The second part of the book investigates the role of play in religious cult, again focusing on the various Krsna cults. This section concludes that, although playful themes pervade man's religious activity in devotion to Krsna, cultiic activity may not be reduced to play, as some scholars have suggested. The final section of the book points to examples of divine and cultic play in non-Hindu traditions.
Diary of a Christian Soldier
This book offers a meticulous reconstruction of the life of Rufus Kinsley - an ordinary New England soldier who during the Civil War became an officer in one of the nations's first and most famous black regiments - and an expertly edited transcription of Kinsley's hitherto unpublished wartime diary. Kinsley's diary sheds light on a long neglected theater of the war - the battle for the bayou country of southwestern Louisiana - and it illuminates the workaday routines of black and white soldiers stationed behind Union lines but thoroughly immersed in the unprecedented improvisations that accompanied the social revolution that was emancipation. Kinsley's perspective is that of a too often neglected type: the absolutely dedicated evangelical abolitionist soldier who believed that the war and its consequences were divine retribution for the sin of slavery. The introductory biography places Kinsley's civil war experience in the context of his life and his times.
