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In Beyond the Quagmire, thirteen scholars from across disciplines provide a series of provocative, important, and timely essays on the politics, combatants, and memory of the Vietnam War. Americans believed that they were supposed to win in Vietnam. As veteran and Pulitzer Prize-winning author Philip Caputo observed in A Rumor of War, “we carried, along with our packs and rifles, the implicit convictions that the Viet Cong would be quickly beaten and that we were doing something altogether noble and good.” By 1968, though, Vietnam looked less like World War II’s triumphant march and more like the brutal and costly stalemate in Korea. During that year, the United States paid dearly as n...
During the presidency of Lyndon Johnson, the British government sought to avoid escalation of the war in Vietnam and to help bring about peace. The thinking that lay behind these endeavours was often insightful and it is hard to argue that the attempt was not worth making, but the British government was able to exert little, if any, influence on a power with which it believed it had, and needed, a special relationship. Drawing on little-used papers in the British archives, Nicholas Tarling describes the making of Britain’s Vietnam policy during a period when any compromise proposed by London was likely to be seen in Washington as suggestive of defeat, and attempts to involve Moscow in the process over-estimated the USSR’s influence on a Hanoi determined on reunification.
A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of news...
Fifty years since the signing of the Paris Peace Accords signaled the final withdrawal of U.S. troops from Vietnam, the war’s mark on the Pacific world remains. The essays gathered here offer an essential, postcolonial interpretation of a struggle rooted not only in Indochinese history but also in the wider Asia Pacific region. Extending the Vietnam War’s historiography away from a singular focus on American policies and experiences and toward fundamental regional dynamics, the book reveals a truly global struggle that made the Pacific world what it is today. Contributors include: David L. Anderson, Mattias Fibiger, Zach Fredman, Marc Jason Gilbert, Alice S. Kim, Mark Atwood Lawrence, Jason Lim, Jana K. Lipman, Greg Lockhart, S. R. Joey Long, Christopher Lovins, Mia Martin Hobbs, Boi Huyen Ngo, Wen-Qing Ngoei, Nathalie Huynh Chau Nguyen, Noriko Shiratori, Lisa Tran, A. Gabrielle Westcott
This book of essays by medical anthropologists and other health social scientists examines the full measure of the disastrous global health effects of war in the contemporary world. It provides a political economic framework for assessing the war machine.
In 1955, Ngo Dinh Diem organized an election to depose chief-of-state Bao Dai, after which he proclaimed himself the first president of the newly created Republic of Vietnam. The United States sanctioned the results of this election, which was widely condemned as fraudulent, and provided substantial economic aid and advice to the RVN. Because of this, Diem is often viewed as a mere puppet of the United States, in service of its Cold War geopolitical strategy. That narrative, Jessica M. Chapman contends in Cauldron of Resistance, grossly oversimplifies the complexity of South Vietnam's domestic politics and, indeed, Diem's own political savvy. Based on extensive work in Vietnamese, French, an...
The World Turned Inside Out explores American thought and culture in the formative moment of the late twentieth century in the aftermath of the fabled Sixties. The overall argument here is that the tendencies and sensibilities we associate with that earlier moment of upheaval decisively shaped intellectual agendas and cultural practices--from the all-volunteer Army to the cartoon politics of Disney movies--in the 1980s and 90s. By this accounting, the so-called Reagan Revolution was not only, or even mainly, a conservative event. By the same accounting, the Left, having seized the commanding heights of higher education, was never in danger of losing the so-called culture wars. At the end of the twentieth century, the argument goes, the United States was much less conservative than it had been in 1975. The book takes supply-side economics and South Park equally seriously. It treats Freddy Krueger, Buffy the Vampire Slayer, and Ronald Reagan as comparable cultural icons.
A new understanding of US policy toward Vietnam after the end of the Vietnam War based on fresh archival discoveries.
This book explores the performances and politics of memory among a group of women war veterans in Ho Chi Minh City, Vietnam. Through ethnographic, oral history-based research, it connects the veterans’ wartime histories, memory politics, performance practices, recollections of imprisonment and torture, and social activism with broader questions of how to understand and attend to continuing transgenerational violence and trauma. With an extensive introduction and subsequent chapters devoted to in-depth analysis of four women’s remarkable life stories, the book explores the performance and performativity of culture; ethnographic oral history practice; personal, collective, and (trans)cultural memory; and the politics of postwar trauma, witnessing, and redress. Through the veterans’ dynamic practices of prospective remembering, 'pain-taking', and enduring optimism, it offers new insights into matrices of performance vital to the shared work of social transformation. It will appeal to readers interested in performance studies, memory studies, gender studies, Vietnamese studies, and oral history.
In a riveting sequel to his celebrated Westmoreland's War, Daddis offers a bold new interpretation of America's first lost war. Upending myths of a "better war" that led to victory in Vietnam, Withdrawal is required reading for anyone hoping to understand the final years of American intervention in Southeast Asia.