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Myer Myers
Myer Myers, a Jewish silversmith in colonial America, created outstanding works for leading members of the New York elite, and the objects made in his workshop have long been regarded as among the most important American statements of the Rococo style. These works are also valuable for the information they provide about craftsmanship, patronage, colonial Judaism, and changing cultural values in pre- and post-Revolutionary America. This stunning catalogue presents works from Myers's workshop in conjunction with essays by eminent authorities on his life and times, all of which shed light on significant themes and events in American culture and history. Myers's lifelong membership in the New York Jewish community, for example, reveals much about the role of religious minorities and social toleration in eighteenth-century America, and the artefacts he created for his family and religious community provide a vivid picture of colonial Jewish life. At the same time, Myers's career as a silversmith offers insights into the complexities of preindustrial craftsmanship in America, showing that silversmiths were less autonomous than has previously been assumed. Catalogue entries provide a chro
American Federal Furniture and Decorative Arts from the Watson Collection
While demonstrating the high level of artistry attained by furniture-makers of the period, this selection in many ways reflects the evolving character of domestic life in America during a seminal period in the country's history.
A Storied Past: Collections of the Historic Odessa
A Storied Past: Collections of the Historic Odessa captures the historical character and significance of two important late-18th-century houses, each of which retains a high percentage of original furnishings and locally made objects. Over the past several years, the collections have undergone careful examination and interpretation. One hundred are published along with four interpretive chapters. Relatively few historic sites have received this level of investigative treatment. Additionally, several of the hitherto-unpublished objects relate to others already in the decorative and fine arts lexicon. Using rich archival and genealogical sources, Philip D. Zimmerman brings to light here for th...
Exploring American Jewish History through 50 Historic Treasures
Exploring American Jewish History through 50 Historic Treasures offers students and general readers new perspectives on the rich complexity of Jewish experiences in America. As one of America's most fascinating and enduring minorities, American Jews have played key roles in every era of American history and every region of the country. The 50 treasures are depicted in full color and range from a family cookbook to a college campus and include items that are iconic, ordinary, and whimsical. Each of the treasures is described in historical, material, and visual contexts, offering readers new, unexpected insights into the meanings of Jewish life, history, and culture.
The Furniture of John Shearer, 1790-1820
This book is a full-color catalogue raisonne interprets the distinctive furniture made by John Shearer, one of the most accomplished and intriguing furniture makers during the post-Revolutionary period. Shearer emigrated from Scotland in the late 18th century and retained loyalist sympathies throughout his life, evidenced by the imagery and inscriptions sympathetic to various British causes_such as the suppression of the Irish rebellion in 1798 and the British victory in the Battle of Trafalgar in 1805_that he worked into his furniture. Davison provides insight into the furniture's appeal to Anglo-American patrons, not secret loyalists, but men still culturally tied to Great Britain. Shearer's pieces are scattered among various collections, and many of them have been identified only in the last 25 years. This catalog is the only work in which all of Shearer's known pieces of furniture are presented in a single volume.
Gender, Taste, and Material Culture in Britain and North America, 1700-1830
Between 1700 and 1830, men and women in the English-speaking territories framing the Atlantic gained unprecedented access to material things. The British Atlantic was an empire of goods, held together not just by political authority and a common language, but by a shared material culture nourished by constant flows of commodities. Diets expanded to include exotic luxuries such as tea and sugar, the fruits of mercantile and colonial expansion. Homes were furnished with novel goods, like clocks and earthenware teapots, the products of British industrial ingenuity. This groundbreaking book compares these developments in Britain and North America, bringing together a multi-disciplinary group of scholars to consider basic questions about women, men, and objects in these regions. In asking who did the shopping, how things were used, and why they became the subject of political dispute, the essays show the profound significance of everyday objects in the eighteenth-century Atlantic world.
The Dunlap Cabinetmakers
Back by popular demand at a new, lower price Complete materials lists and scaled drawings for 14 heirloom pieces Fascinating background on the Dunlap family and its furniture The Dunlaps of New Hampshire began making fine furniture in the mid-1700s. Their distinctive tables, chests, chairs, and clockcases have their origins in the traditions that the Scots-Irish brought to the New World. Most Dunlap works are now in museums where they are studied by scholars, but thanks to the book's detailed scaled drawings and Donald Dunlap's construction notes, woodworkers can undertake the challenging proportions and ornament practiced by the Dunlaps. The 14 projects range from a simple knife box to an intricate tall clock and include a one-drawer stand, tea table, and desk. knife box one-drawer stand card table candle stand folding stand side chair chest-on-frame chest of drawers dressing table tea table flat-top high chest of drawers high chest of drawers with gallery desk tall clock
The Finger
In this collision between art and science, history and pop culture, the acclaimed art historian Angus Trumble examines the finger from every possible angle. His inquiries into its representation in art take us from Buddhist statues in Kyoto to the ceiling of the Sistine Chapel, from cave art to Picasso's Guernica, from Van Dyck's and Rubens's winning ways with gloves to the longstanding French taste for tapering digits. But Trumble also asks intriguing questions about the finger in general: How do fingers work, and why do most of us have five on each hand? Why do we bite our nails? This witty, odd, and fascinating book is filled with diverse anecdotes about cow-milking, the fingerprint of a grave robber in King Tut's tomb, and a woman in Trumble's local bank whose immensely long, coiled fingernails do not prevent her from signing a check. Side by side with historical discussions of rings and gloves and nail varnish are meditations on the finger's essential role in writing, speech, sports, crime, law, sex, and, of course, the eponymous show of contempt.
Albany Institute of History and Art
Founded in 1791, the Albany Institute of History and Art is one of the nation's oldest cultural institutions. Today, it boasts outstanding collections largely focused on New York State's Upper Hudson Valley. These include Hudson River School landscape paintings, portraits by Ezra Ames and Charles Loring Elliott, sculpture by Erastus Dow Palmer, landscape and interior paintings by Walter Launt Palmer, and Albany –made silver and other crafts. This comprehensive overview of the Albany Institute of History and Art's American art and decorative-arts collections, presents color plates and essays on about 130 objects (of a total exceeding 20,000). Dating from the beginning of the seventeenth century to the 1990s, each object in this volume was chosen for its national significance, artistic merit, and relevance to the Institute's mission: collecting and interpreting the art, history, and culture of New York State's Upper Hudson Valley through four centuries.
Being American in Europe, 1750–1860
When eighteenth- and nineteenth-century Americans made their Grand Tour of Europe, what did they learn about themselves? While visiting Europe In 1844, Harry McCall of Philadelphia wrote to his cousin back home of his disappointment. He didn’t mind Paris, but he preferred the company of Americans to Parisians. Furthermore, he vowed to be “an American, heart and soul” wherever he traveled, but “particularly in England.” Why was he in Europe if he found it so distasteful? After all, travel in the eighteenth and early nineteenth centuries was expensive, time consuming, and frequently uncomfortable. Being American in Europe, 1750–1860 tracks the adventures of American travelers while...
