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Brahms: Symphony No. 1
A 1997 examination of the genesis, background and extra-compositional allusions of this controversial work.
Defining Deutschtum
Brodbeck offers a nuanced look at the intersection of music, cultural identity, and political ideology in Liberal Vienna by examining music-critical writing about Carl Goldmark, Antonín Dvořák, and Bedřich Smetana, Austrian citizens but not ethnic Germans. The critical reception of the three reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood. The book thus offers insight into how educated German Austrians conceived of Germanness in music and understood their relationship to the 'non-Germans' in their midst.
Allusion as Narrative Premise in Brahms's Instrumental Music
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such refer...
Brahms Studies
A publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.
Paul and the Resurrection of Israel
Promotes an exciting new idea: Paul's gospel of Gentile inclusion is intrinsic to Israel's salvation promised in the Hebrew Bible.
Brahms Studies
The eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approa...
The Oxford Handbook of Music Listening in the 19th and 20th Centuries
An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.
Playing Before the Lord
Franz Joseph Haydn (1732 1809) has been called the father of the symphony and the string quartet. A friend of Mozart and a teacher of Beethoven, "Papa" Haydn composed an amazing variety of music -- symphonies, string quartets, concerti, masses, operas, oratorios, keyboard works -- and his prolific output celebrates both the heights and depths of life. In this fascinating book Calvin Stapert combines his skills as a biographer and a musicologist to recount Haydn's steady rise from humble origins to true musical greatness. Unlike other biographers, Stapert argues that Haydn's work was a product of his devout Catholic faith, even though he worked mainly as a court musician and the bulk of his output was in popular genres. In addition to telling Haydn's life story, Stapert includes accessible listening guides to The Creation and portions of other well-known works to help Haydn listeners more fully appreciate the brilliance behind his music.
