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In an era of social confusion and visual pandemonium, David Levi Strauss tackles issues of photography and politics in a way that few critics today are courageous enough to attempt. The essays collected in Between the Eyesaddress topics ranging from propaganda and the imagery of dreams, to Sebastião Salgado’s epic social documents and the deeply personal photographic revelations of Francesca Woodman. Other issues broached here include the legitimacy of photographic imagery and the media frenzy surrounding the events of September 11, as well as essays on the work of Ania Bien, Miguel Rio Branco, Alfredo Jaar, Joel-Peter Witkin and others, plus an interview with painter Leon Golub (who worked from photographs). Reviewing the first edition of Between the Eyes, Publisher’s Weeklywrote: “‘Photography and Propaganda,’ a study of the work and deaths in ‘80s Central America of photojournalists Richard Cross and John Hoagland, should be required reading in the age of embeddedness, and ‘Photography and Belief’ is a terrific meditation on truth in the age of digital manipulation.”
In this exploration of contemporary photography, David Levi Strauss questions the concept that “seeing is believing” Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. In the first ekphrasis title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we be...
In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur.Featuring over 35 illustrations, the book examines a wide variety of media and individual ...
Lévi-Strauss is one of the intellectual giants of the twentieth century yet he is a very private and isolated figure, who has been reticent about himself. This book, first published in 1983,provides a fascinating insight into his character through a careful reading of the more speculative passages of his books and interviews. His personal existential and psychological orientation is explored through a structural analysis of Tristes Tropiques, his most personal book, and his writings on art, nature and civilization and through a consideration of his debt to Rousseau. Dr Pace examines in depth Lévi-Strauss’s critique of cultural evolutionism and his attack on the notion of world history. He assesses the political implications of Lévi-Strauss’s own interpretation of human progress through an examination of his debates with Sartre and other Marxists in the 1950s and 1960s and his subsequent movement to the right. The author’s concern throughout is to place the world-view of this great French anthropologist in the context of twentieth-century intellectuals’ struggle to come to grips with cultural relativism and the ‘problem’ of the primitive.
Anhand einer 3-D-Postkarte der Twin Towers von Joseph Beuys mit dem Titel Cosmos & Damian (1974) untersucht der Autor David Levi Strauss den Beuys'schen Prophetismus und die Maßnahmen seiner » Kunst der Heilung«. 27 Jahre bevor das World Trade Center zum Ziel einer internationalen fundamentalistischen Terrorgruppe erklärt wurde, hatte Beuys die Zwillingstürme frühzeitig als Symbole einer kalten »Todeszone « erkannt, in der das Kapital regiert. Diese verschwisterten Wunden der Gesellschaft benannte Beuys handschriftlich nach zwei historischen Wanderheilern: den arabischen Zwillingsbrüdern und christlichen Heiligen Cosmas und Damian. Auf den Spuren dieses ursprünglich indoeuropäischen Mythos reist Levi Strauss durch die Kunstgeschichte und füllt Beuys' » therapeutische Bildmagie « mit neuem Leben. Der Autor David Levi Strauss leitet das Graduiertenprogramm für Kunstkritik an der School of Visual Arts in New York. Sprache: Deutsch/Englisch
David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including "Aperture," "Artforum" and "The Nation." In "Between the Eyes: Essays on Photography and Politics," Strauss tackles subjects as diverse as "Photography and Propaganda," the imagery of dreams, Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay "Photography and Belief," and in "The Highest Degree of Illusion," Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media "pandemonium" in its root meaning of "the place of all howling demons," we need a mind and voice like Levi Strauss' to bring clarity to our vision.
Hermeticism, or alchemy, is the ancient, primordial mystery science of nature through which people in all times and places have, for the sake of world evolution, sought to unite Heaven and Earth--divinity, cosmos, earth, and humanity, as a single whole. Selfless, intimate, dedicated to healing and harmony, Hermeticism has accompanied and sustained every religious epoch and revelation. It may be found in all historical cultures, from the traditions of India and China in the East to the Judeo-Christian West. It could even be said that Hermeticism is the primal cosmological revelation and the common ground of all spiritual traditions. Nevertheless, in the great revival of mystical, esoteric tra...
The anthropologist Claude Levi-Strauss was one of the greatest intellectuals of the twentieth century. His work has had a profound impact not only within anthropology but also linguistics, sociology and philosophy. In this short book he examines the nature and role of myth in human history, distilling a lifetime of writing into a few sharp insights. It is a crystalline overview of many of the basic ideas underlying his work, including the theory of structuralism and the difference between 'primitive' and 'scientific' thought and shows why Levi-Strauss remains a hugely important intellectual figure. With a new foreword by Patrick Wilcken.
A visual and written record of the work of pioneer painter-performance artist Carolee Schneemann.
Abu Ghraib unveiled a lengthy list of disastrous actions and cover-ups by the Bush administration and the American military. Abu Ghraib examines the problem from many different perspectives, gathering together timely essays on the prison scandal from prominent progressive writers. Barbara Ehrenreich looks at the story through the lens of feminism, noting that the most infamous photos involve female soldiers. John Gray argues that Iraq is worse than Vietnam. Looking to future ramifications, Meron Benvenisti reflects on the "powerless rage" of an occupied culture. David Matlin deconstructs President Bush's declaration that the Abu Ghraib images do not represent America. Giving voice to those directly impacted, Mark Danner reports on the anger and humiliation experienced by the victims and their families. This book provides a broader understanding of the issue and its repercussions.