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Nemesius of Emesa on Human Nature
Nemesius of Emesa's On Human Nature (De Natura Hominis) is the first Christian anthropology. Written in Greek, circa 390 CE, it was read in half a dozen languages--from Baghdad to Oxford--well into the early modern period. Nemesius' text circulated in two Latin versions in the centuries that saw the rise of European universities, shaping scholastic theories of human nature. During the Renaissance there were numerous print editions helping to inspire a new discourse of human dignity. David Lloyd Dusenbury offers the first monograph in English on Nemesius' treatise. In the interpretation offered here, the Syrian bishop seeks to define the human qua human. His early Christian anthropology is co...
I Judge No One
Why was Jesus, who said "I judge no one," put to death for a political crime? Of course, this is a historical question--but it is not only historical. Jesus's life became a philosophical theme in the first centuries of our era, when "pagan" and Christian philosophers clashed over the meaning of his sayings and the significance of his death. Modern philosophers, too, such as Immanuel Kant and Friedrich Nietzsche, have tried to retrace the arc of Jesus's life and death. I Judge No One is a philosophical reading of the four memoirs, or "gospels," that were fashioned by early Christ-believers and collected in the New Testament. It offers original ways of seeing a deeply enigmatic figure who calls himself the Son of Man. David Lloyd Dusenbury suggests that Jesus offered his contemporaries a scandalous double claim. First, that human judgements are pervasive and deceptive; and second, that even divine laws can only be fulfilled in the human experience of love. Though his life led inexorably to a grim political death, what Jesus's sayings revealed--and still reveal--is that our highest desires lie beyond the political.
Platonic Legislations
This book discusses how Plato, one the fiercest legal critics in ancient Greece, became – in the longue durée – its most influential legislator. Making use of a vast scholarly literature, and offering original readings of a number of dialogues, it argues that the need for legal critique and the desire for legal permanence set the long arc of Plato’s corpus—from the Apology to the Laws. Modern philosophers and legal historians have tended to overlook the fact that Plato was the most prolific legislator in ancient Greece. In the pages of his Republic and Laws, he drafted more than 700 statutes. This is more legal material than can be credited to the archetypal Greek legislators—Lycu...
Plato and Europe
The Czech philosopher Jan Patocka (1907-1977) is widely recognized as the most influential thinker to come from postwar Eastern Europe. This book presents his most mature ideas about the history of Western philosophy.
The Enchantments of Mammon
“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to Ameri...
Philosophy before the Greeks
There is a growing recognition that philosophy isn't unique to the West, that it didn't begin only with the classical Greeks, and that Greek philosophy was influenced by Near Eastern traditions. Yet even today there is a widespread assumption that what came before the Greeks was "before philosophy." In Philosophy before the Greeks, Marc Van De Mieroop, an acclaimed historian of the ancient Near East, presents a groundbreaking argument that, for three millennia before the Greeks, one Near Eastern people had a rich and sophisticated tradition of philosophy fully worthy of the name. In the first century BC, the Greek historian Diodorus of Sicily praised the Babylonians for their devotion to phi...
Art and the Question of Meaning
Many people find modern art, in whatever medium, meaningless. Its radical questioning of all aesthetic norms, its wild experimentation and its lack of direction stand in stark contrast to the past,with its great tradition of meaningful artistic expression. Of course, it can be argued that modern artists are simply feeling much more deeply what anyone alive today must sense, however vaguely and superficially: a deeply pessimistic and often nihilistic mood. And if art is to have integrity, artists cannot escape that. However, anyone who believes in a first and last ground of meaning of the world and man, even at a time of the disintegration of traditions, can scarcely believe in a definitive chaos of art: if art is a genuine representation of the realities of our time, it should be possible, by understanding it more deeply, to find greater meaning the other side of seeming meaninglessness. This, briefly stated, is the argument of Hans Kueng's latest study, both profound and provocative, which introduces a new and important dimension to his thought.
The Innocence of Pontius Pilate
The gospels and ancient historians agree: Jesus was sentenced to death by Pontius Pilate, the Roman imperial prefect in Jerusalem. To this day, Christians of all churches confess that Jesus died 'under Pontius Pilate'. But what exactly does that mean? Within decades of Jesus' death, Christians began suggesting that it was the Judaean authorities who had crucified Jesus--a notion later echoed in the Qur'an. In the third century, one philosopher raised the notion that, although Pilate had condemned Jesus, he'd done so justly; this idea survives in one of the main strands of modern New Testament criticism. So what is the truth of the matter? And what is the history of that truth? David Lloyd Du...
Dante's Christian Ethics
This book is a major re-appraisal of the Commedia as originally envisaged by Dante: as a work of ethics. Privileging the ethical, Corbett increases our appreciation of Dante's eschatological innovations and literary genius. Drawing upon a wider range of moral contexts than in previous studies, this book presents an overarching account of the complex ordering and political programme of Dante's afterlife. Balancing close readings with a lucid overview of Dante's Commedia as an ethical and political manifesto, Corbett cogently approaches the poem through its moral structure. The book provides detailed interpretations of three particularly significant sins - pride, sloth, and avarice - and the three terraces of Purgatory devoted to them. While scholars register Dante's explicit confession of pride, the volume uncovers Dante's implicit confession of sloth and prodigality (the opposing subvice of avarice) through Statius, his moral cypher.
Learning Empire
The First World War marked the end point of a process of German globalization that began in the 1870s. Learning Empire looks at German worldwide entanglements to recast how we interpret German imperialism, the origins of the First World War, and the rise of Nazism.
