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Home to the so-called big five publishers as well as hundreds of smaller presses, renowned literary agents, a vigorous arts scene, and an uncountable number of aspiring and established writers alike, New York City is widely perceived as the publishing capital of the United States and the world. This book traces the origins and early evolution of the city’s rise to literary preeminence. Through five case studies, Steven Carl Smith examines publishing in New York from the post–Revolutionary War period through the Jacksonian era. He discusses the gradual development of local, regional, and national distribution networks, assesses the economic relationships and shared social and cultural pra...
In the fifty years after the Constitution was signed in 1787, New York City grew from a port town of 30,000 to a metropolis of over half a million residents. This rapid development transformed a once tightknit community and its religious experience. These effects were felt by Trinity Episcopal Church, which had presented itself as a uniting influence in New York, that connected all believers in social unity in the late colonial era. As the city grew larger, more impersonal, and socially divided, churches reformed around race and class-based neighborhoods. Trinity’s original vision of uniting the community was no longer possible. In Four Steeples over the City Streets, Kyle T. Bulthuis exam...
"Through richly detailed accounts of individual entrepreneurs, including the prominent printer-publisher Mathew Carey, Remer reveals the economic logic behind this distinctive book trade."—The Book
When the actress Eliza Poe--mother of Edgar Allen Poe--died at age 24 in Richmond, Virginia, she had played with every important theatrical company in the country. Compared to actors today, her career is truly extraordinary. She played nearly 300 parts--in plays by Shakespeare and Sheridan--a long line of heroines in 18th century sentimental comedies, comic operas, farces, and poetic tragedies whose titles are meaningless now, though they contain brilliant language and canny theatricality, requiring actors of discipline and skill to present successfully. Eliza left no personal documents, but available public documents relating to her professional life tell the vivid story of a gifted young actress serving her apprenticeship in the superior repertory system of late 18th and early 19th century America. Eliza was a young artist who had established a national reputation with her co-workers and the public, just embarking on what would have been her most important work at the time of her tragically early death.
This short-lived magazine was concerned with politics and literature; it devoted several sections to politics, and also gave attention to reviews of recent publications, poetry, and the theater. Cf. American perioidicals, 1741-1900.
This 2003 book examines the growth and influence of the theatre in the development of the young American Republic.