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"Sir Edwin Lutyens is widely regarded as one of Britain's greatest architects. In a career of more than 50 years, spanning both the Victorian and Modern eras, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous First World War memorials across Europe and Britain, and his magnum opus designs for New Delhi, built during the 1920s and 1930s. Lutyens' most celebrated works remain his magnificent country houses that so frequently adorned the pages of Country Life magazine, and in particular his houses of the period from the 1890s and 1900s. Sir Edwin Lutyens: The Arts & Crafts Houses brings together for the first time in new, wide-format all-colour photography, the definitive collection of over 40 of Lutyens' great houses, in which Lutyens ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features over 500 stunning current photographs, together with floor plans of the houses, and a fresh reinterpretation of Lutyens' enduring architectural genius."--
The Limits of Thought is a series of penetrating dialogues between the great spiritual leader, J. Krishnamurti and the renowned physicist, David Bohm. The starting point of their engaging exchange is the question: If truth is something different than reality, then what place has action in daily life in relation to truth and reality? We see Bohm and Krishnamurti explore the nature of consciousness and the condition of humanity. These enlightening dialogues address issues of truth, desire awareness, tradition, and love. Limits of Thought is an important book by two very respected and important thinkers. Anyone interested to see how Krishnamurti and Bohm probe some of the most essential questions of our very existence will be drawn to this great work.
A reissue in hardback under the National Trust imprint of a classic, superbly illustrated book tracing Sir Edwin Lutyens's formidable achievements of both grand public buildings and his many beautiful country houses. Through his architecture of New Delhi, Lutyens had the unofficial status of Britain's 'architect laureate', but it is in his wonderful country houses that his creative genius can most fully be appreciated. Elizabeth Wilhide traces the development of the Lutyens style and illustrates his remarkable blend of function and artistry, from the imposing granite of Castle Drogo and Lindisfarne to the restful appeal of Munstead Wood, which he designed for his long-term collaborator and friend, Gertrude Jekyll. Wilhide also devotes a large section of the book to Lutyens's wonderful interiors. With a foreword by Sir Edwin's granddaughter Candia Lutyens and specially commissioned photographs showing interiors and gardens, as well as original designs for furniture, this elegant monograph provides a fresh insight into a rich and enduring heritage of design.
In the exclusionary world of high modern architecture, it is curious to discover that two icons of the movement both admired the work of Sir Edwin Lutyens - an architect who had little or no interest in modernism. Le Corbusier and Frank Lloyd Wright created buildings that are very different, and the two men did not even like each other, but they shared a fascination for Lutyens' distinctively non-international style architecture. This polemical text is an account of why this occured. By exposing common aesthetic and structural themes in the architecture of these three giants, including the cities of New Delhi and Chandigahr, in India, the author explains why Wright and Le Corbusier may have had more in common with Lutyens than with many of their modern peers. The primary text in the book was written in 1967 and was published in a student journal in the U.S. with a small circulation. It has remained an underground classic since then - perhaps because its contents are so disruptive of our current views of 20th century modernism.
Edwin Lutyens was one of Britain's greatest architects, known for the imaginative adaptations of traditional design in his numerous country houses, as well as the instrumental role he played in designing and building much of New Delhi. Presenting a stunning collection of his architectural designs spanning the many phases of his acclaimed career, this beautifully produced study includes examples of the celebrated architect's early Arts-and-Crafts houses, Surrey-vernacular style, and carefully composed classical houses. Leading architectural authority Gavin Stamp presents his selection of Lutyens' houses in chronological order â??with the exception of the Viceroy's House â?? by the date of t...
The work of Edwin Lutyens (1869-1944) includes the Cenotaph in Whitehall, much of Imperial New Delhi and especially his masterpiece, Viceroy's House (now Rashtrapati Bhavan), Queen Mary's dolls' house and Hampstead Garden Suburb. But his greatest heritage is the traditional Edwardian country house, an architectural style he made his own, using local materials and often working with Gertrude Jekyll who planted the gardens for his family homes. This is a full biography of a witty, complex personality, a man who had little formal education, who loved jokes and hated growing up. It is also a portrait of an extraordinary marriage. His wife, Emily, fell in love with Krishnamurti, 21 years her junior and believed to be the reincarnation of a god, and she thereafter spent her time and her husband's money promoting Theosophy, a Hindu-inspired cult. Lutyens's failure to find a common language with Emily possibly drove him to achieve the remarkable communication through the language of architecture which characterises his best work.
Once dismissed as the decade of avocado suites, the 1970s are now being enthusiastically mined for trends from the fashion, music, literature and vibe of the time. This work presents the 70s as an important period in the creative arts, which united such defining trends as the Art Deco craze of the 1920s and 1930s and the Pop movement of the 1960s.