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Disability in Eighteenth-Century England
This is the first book-length study of physical disability in eighteenth-century England. It assesses the ways in which meanings of physical difference were formed within different cultural contexts, and examines how disabled men and women used, appropriated, or rejected these representations in making sense of their own experiences. In the process, it asks a series of related questions: what constituted ‘disability’ in eighteenth-century culture and society? How was impairment perceived? How did people with disabilities see themselves and relate to others? What do their stories tell us about the social and cultural contexts of disability, and in what ways were these narratives and exper...
Disability in the Industrial Revolution
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. An electronic version of this book is also available under a Creative Commons (CC-BY-NC-ND) license, thanks to the support of the Wellcome Trust. The Industrial Revolution produced injury, illness and disablement on a large scale and nowhere was this more visible than in coalmining. Disability in the Industrial Revolution sheds new light on the human cost of industrialisation by examining the lives and experiences of those disabled in an industry that was vital to Britain’s economic growth. Although it is commonly assumed that industrialisation led to increasing marginalisation of peopl...
The Old Boys
To many in the United Kingdom, the British public school remains the disliked and mistrusted embodiment of privilege and elitism. They have educated many of the country’s top bankers and politicians over the centuries right up to the present, including the present Prime Minister. David Turner’s vibrant history of Great Britain’s public schools, from the foundation of Winchester College in 1382 to the modern day, offers a fresh reappraisal of the controversial educational system. Turner argues that public schools are, in fact, good for the nation and are presently enjoying their true “Golden Age,” countering the long-held belief that these institutions achieved their greatest glory during Great Britain’s Victorian Era. Turner’s engrossing and enlightening work is rife with colorful stories of schoolboy revolts, eccentric heads, shocking corruption, and financial collapse. His thoughtful appreciation of these learning establishments follows the progression of public schools from their sometimes brutal and inglorious pasts through their present incarnations as vital contributors to the economic, scientific, and political future of the country.
Turner in the Alps
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The Dawn of Redeeming Grace
Advent devotional for Christmas that will stir hope and inspire worship. As dawn broke on that first Christmas morning, the sun rose on a new era: God's king had come to earth to bring about his kingdom. Join Sinclair Ferguson as he opens up the first two chapters of Matthew's Gospel in these daily devotions for Advent. Each day’s reflection is full of insight and application, and will help you to arrive at Christmas Day awed by God's redeeming grace and refreshed by the hope of God’s promised king.
Turner and the Masters
"J.M.W. Turner (1775-1851) is widely regarded as the greatest painter Britain has ever produced. Despite the many books and exhibitions that have been devoted to him, there is one aspect of his extraordinary oeuvre that has never been thoroughly examined. Uniquely in the history of European art, he took on all comers, past and present, that he considered worthy of a challenge, creating his own images in their styles. These works were both acts of homage and a sophisticated form of art criticism, demonstrating his understanding of great art and his ability to equal or better the most celebrated exponents of the landscape tradition. No artist, however revered, was considered beyond challenge. ...
Disability in Eighteenth-century England
This is the first book-length study of physical disability in eighteenth-century England. It assesses the ways in which meanings of physical difference were formed within different cultural contexts, and examines how disabled men and women used, appropriated, or rejected these representations in making sense of their own experiences. In the process, it asks a series of related questions: what constituted �disability� in eighteenth-century culture and society? How was impairment perceived? How did people with disabilities see themselves and relate to others? What do their stories tell us about the social and cultural contexts of disability, and in what ways were these narratives and experiences shaped by class and gender? In order to answer these questions, the book explores the languages of disability, the relationship between religious and medical discourses of disability, and analyzes depictions of people with disabilities in popular culture, art, and the media. It also uncovers the �hidden histories� of disabled men and women themselves drawing on elite letters and autobiographies, Poor Law documents and criminal court records.
Fashioning Adultery
This 2002 book provides a major survey of representations of adultery in later seventeenth- and early eighteenth-century England. Bringing together a wide variety of literary and legal sources - including sermons, pamphlets, plays, diaries, periodicals, trial reports and the records of marital litigation - it documents a growing diversity in perceptions of marital infidelity in this period, against the backdrop of an explosion in print culture and a decline in the judicial regulation of sexual immorality. In general terms the book charts and explains a gradual transformation of ideas about extra-marital sex, whereby the powerfully established religious argument that adultery was universally a sin became increasingly open to challenge. The book charts significant developments in the idiom in which sexually transgressive behaviour was discussed, showing how evolving ideas of civility and social refinement and new thinking about gender difference influenced assessments of immoral behaviour.
Turner
J.M.W. Turner is one of the greatest artists the world has ever known. His output was prolific and astonishingly varied. Focusing on 125 paintings and drawings from the Tate, which owns the world's largest collection of Turner's work, this lavishly illustrated book provides a fresh and lively survey of his genius. Familiar masterpieces are reproduced along with less well-known prints and sheets from sketch-books; subject matter ranges from landscapes and natural subjects to ancient and modern history; marine subjects; literary illustration; and images of contemporary life.In his essay, David Blayney Brown reveals the paradoxes and contrasts that abound in Turner's life and work: as a painter he looked both backward and forward, bridging the gap between the 18th century and modernism, compelled constantly to reexamine and reinvent his own art, with astonishing success.
Matthew
An expert on Jewish backgrounds offers a substantial commentary on Matthew in the latest addition to the Baker Exegetical Commentary on the New Testament series.
