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One day, Henry Sein catches a fading distress call--a scientist is trapped alone on a melting ice floe. Assembling a motley rescue team, he heads farther north than he's ever gone, determined to save the scientist.
David Masiel’s first novel, 2182 Kilohertz, was one of the most greatly praised books of 2002. A riveting adventure of an unlikely hero’s quest for personal redemption in frigid arctic waters, it earned its author comparisons to such giants of nautical fiction as Melville and Conrad. Now Masiel more than meets the promise of his debut with a harrowing odyssey of love and betrayal on the high seas–and in the shadowy corners of the human heart. At fifty-nine, Harold Snow has seen his share of death. His baptism of fire came on his twenty-first birthday, on a navy ship in the Coral Sea, when a Japanese kamikaze pilot slammed into the deck. Years later, in the aftermath of a typhoon in the...
For over 25 years, the journal Writing on the Edge has published interviews with influential writers, teachers, and scholars. Now, Teachers on the Edge: The WOE Interviews, 1989–2017 collects the voices of 39 significant figures in modern writing studies, forming an accessible survey of the modern history of rhetoric and composition. In a conversational style, Teachers on the Edge encourages a remarkable group of teachers and scholars to tell the stories of their influences and interests, tracing the progress of their contributions. This engaging volume is invaluable to graduate students, writing teachers, and scholars of writing studies.
For over 25 years, the journal Writing on the Edge has published interviews with influential writers, teachers, and scholars. Now, Teachers on the Edge: The WOE Interviews, 1989-2017 collects the voices of 39 significant figures in modern writing studies, forming an accessible survey of the modern history of rhetoric and composition. In a conversational style, Teachers on the Edge encourages a remarkable group of teachers and scholars to tell the stories of their influences and interests, tracing the progress of their contributions. This engaging volume is invaluable to graduate students, writing teachers, and scholars of writing studies.
For more than two decades, David Maisel has photographed civilisation?s aggressive advance across the American landscape. The sites he has pursued, the subjects he has discovered, and the abstract beauty he has confronted are all the more unfamiliar and disarming because of their aerial perspectives. Looking down from low-flying aircraft banking steeply over the terrain, Maisel constructs skewed landscapes that seem at times to have no horizons, no up or down, and no near or far. ?The Lake Project? documents Maisel?s work around Owens Lake. This arid expanse, located just east of the Sierra Nevadas, is for the most part a desiccated bed of mineral deposits. Drained for the water needs of Sou...
Suspense fiction. The men on board Her Britannic Majesty's Ships Terror and Erebus had every expectation of triumph. They were part of Sir John Franklin's 1845 expedition - as scientifically advanced an enterprise as had ever set forth - and theirs were the first steam-driven vessels to go in search of the fabled North-West Passage. But the ships have now been trapped in the Arctic ice for nearly two years. Coal and provisions are running low. Yet the real threat isn't the constantly shifting landscape of white or the flesh-numbing temperatures, dwindling supplies or the vessels being slowly crushed by the unyielding grip of the frozen ocean. No, the real threat is far more terrifying. There...
This completely revised successor to the Handbook of Microscopy supplies in-depth coverage of all imaging technologies from the optical to the electron and scanning techniques. Adopting a twofold approach, the book firstly presents the various technologies as such, before going on to cover the materials class by class, analyzing how the different imaging methods can be successfully applied. It covers the latest developments in techniques, such as in-situ TEM, 3D imaging in TEM and SEM, as well as a broad range of material types, including metals, alloys, ceramics, polymers, semiconductors, minerals, quasicrystals, amorphous solids, among others. The volumes are divided between methods and applications, making this both a reliable reference and handbook for chemists, physicists, biologists, materials scientists and engineers, as well as graduate students and their lecturers.
The sheer energy and passion and intensity, the linguistic virtuosity of Eric Miles Williamson's latest novel, WELCOME TO OAKLAND, will leave readers breathless. The vigor and uncensored redneck honesty of T-Bird Murphy's blue-collar voice will at turns delight, offend, amuse and enrage readers as T-Bird gives us what we're not supposed to hear: the groans, gritos and war-whoops of men when they're not behaving like gentlemen, when they're out of sight and earshot, when they're wrapped around their drinks at Dick's Restaurant and Cocktail Lounge or your local workingman's watering hole. In WELCOME TO OAKLAND, the T-Bird Murphy of Williamson's internationally acclaimed novel, East Bay Grease,...
Charles Babbage was an English genius of legendary eccentricity. He invented the cowcatcher, the ophthalmoscope, and the “penny post.” He was an expert lock picker, he wrote a ballet, he pursued a vendetta against London organ-grinders that made him the laughingstock of Europe. And all his life he was in desperate need of enormous sums of money to build his fabled reasoning machine, the Difference Engine, the first digital computer in history. To publicize his Engine, Babbage sponsors a private astronomical expedition—a party of four men and one remarkable woman—who will set out from Washington City and travel by wagon train two thousand miles west, beyond the last known outposts of civilization. Their ostensible purpose is to observe a total eclipse of the sun predicted by Babbage’s computer, and to photograph it with the newly invented camera of Louis Daguerre. The actual purpose, however… Suffice it to say that in Shooting the Sun nothing is what it seems, eclipses have minds of their own, and even the best computer cannot predict treachery, greed, and the fickle passions of the human heart.
Esteemed photographer David Maisel has created a somber and beautiful series of images depicting canisters containing the cremated remains of the unclaimed dead from an Oregon psychiatric hospital. Dating back as far as the nineteenth century, these canisters have undergone chemical reactions, causing extravagant blooms of brilliant white, green, and blue corrosion, revealing unexpected beauty in the most unlikely of places. This stately volume is both a quietly astonishing body of fine art from a preeminent contemporary photographer, and an exceptionally poignant monument to the unknown deceased.