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Truth-Telling and Other Ecclesial Practices of Resistance
In this book, leading American Lutheran theologians, inspired by the Scandinavian emphasis on theology as embodied practice, ask how Christian communities might be mobilized for resistance against systemic injustices. They argue that the challenges we confront today as citizens of the United States, as a species in relation to all the other species on the planet, and as members of the body of Christ require an imaginative reconceptualization of the inherited tradition. The driving force of each chapter is the commitment to truth-telling in naming the church’s complicity with social and political evils, and to reorienting the church to the truth of grace that Christianity was created to com...
21st-Century Hollywood
They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself. 21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.
Science Fiction and Fantasy Literature, Vol 1
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
Building New Worlds, 1946-1959
Building New Worlds is a history of a pivotal decades-long episode in the birth and growth of today's science fiction. Enthralling and amusing, it's written with affection and wit. This is no dry, modishly theorized academic analysis. Nor is it a rah-rah celebration of the "Good Old Days." Here is a candid and astute reader's response to a magazine that, by today's standards, was often comically bad--but was also immensely important in its time, and improved, like the Little Engine (or maybe Starship) That Could. New Worlds is best remembered today as the fountainhead of the New Wave of audacious experimental SF in the second half of the 1960s, under editor Michael Moorcock. But these first ...
