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Settling Scores
Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwangler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government. The occupying American force...
Vaudeville and the Making of Modern Entertainment, 1890–1925
Today, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.
Vaudeville and the Making of Modern Entertainment, 1890-1925
Today, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.
The Cultural Cold War in Western Europe, 1945-1960
The articles that comprise this collection constitute an evaluation of overt and covert influences on political and cultural activity in Western European democracies during the earliest period of the Cold War.
Selected Papers in Molecular Biology by Jacques Monod
Selected Papers in Molecular Biology by Jacques Monod describes the career of a scientist embarking on an uninterrupted journey of great discoveries leading to new concepts and perspectives. This book contains papers written in French or English by Monod and his collaborators. Jacques Monod has dominated a scientific field with his insight and vision. He has seen the direction that future research work will lead to, and so, reaches his goal. Monod is a brilliant scientist and the founder of a renowned school. With a talent to judge the potential of students and young scientists, as well as the ability to evaluate the various aspects of their personalities, Monod has successfully provided his students the projects and challenges that cater most to their interests and gifts. The projects he considers for his students are both productive and solvable challenges. Jacques Monod is generous, and loves both his students and collaborators. This book will be of interest to historians, biographers, academe, and to the general scientific community.
The Soul of Pleasure
Show business is today so essential to American culture it's hard to imagine a time when it was marginal. But as David Monod demonstrates, the appetite for amusements outside the home was not "natural": it developed slowly over the course of the nineteenth century. The Soul of Pleasure offers a new interpretation of how the taste for entertainment was cultivated. Monod focuses on the shifting connection between the people who built successful popular entertainments and the public who consumed them. Show people discovered that they had to adapt entertainment to the moral outlook of Americans, which they did by appealing to sentiment. The Soul of Pleasure explores several controversial forms o...
The Radical Middle Class
America has a long tradition of middle-class radicalism, albeit one that intellectual orthodoxy has tended to obscure. The Radical Middle Class seeks to uncover the democratic, populist, and even anticapitalist legacy of the middle class. By examining in particular the independent small business sector or petite bourgeoisie, using Progressive Era Portland, Oregon, as a case study, Robert Johnston shows that class still matters in America. But it matters only if the politics and culture of the leading player in affairs of class, the middle class, is dramatically reconceived. This book is a powerful combination of intellectual, business, labor, medical, and, above all, political history. Its a...
Shoestring Soldiers
The Great War was a pivotal experience for twentieth-century Canada. Shoestring Soldiers is the first scholarly study since 1938 to focus exclusively on Canada's initial overseas experience from late 1914 to the end of 1915. In this exciting new work, Andrew Iarocci challenges the dominant view that the 1st Canadian Division was poorly prepared for war in 1914, and less than effective during battles in 1915. He examines the first generations of men to serve overseas with the division: their training, leadership, morale, and combat operations from Salisbury Plain to the Ypres Salient, from the La Bassée Canal to Ploegsteert Wood. Iarocci contends that setbacks and high losses in battle were not so much the products of poor training and weak leadership as they were of inadequate material resources on the Western Front. Shoestring Soldiers incorporates a wealth of research material from official documents, soldiers' letters and diaries, and the battlefields themselves, surveyed extensively by the author. It marks an important contribution to the growing body of literature on Canada in the First World War.
Staged Readings
Staged Readings studies the social consequences of 19th-century America’s two most prevalent leisure forms: theater and popular literature. In the midst of watershed historical developments—including numerous waves of immigration, two financial Panics, increasing wealth disparities, and the Civil War—American theater and literature were developing at unprecedented rates. Playhouses became crowded with new spectators, best-selling novels flew off the shelves, and, all the while, distinct social classes began to emerge. While the middle and upper classes were espousing conservative literary tastes and attending family matinees and operas, laborers were reading dime novels and watching do...
A Silent Revolution?
Peter Baskerville situates women in their immediate gendered and familial environments as well as within broader legal, financial, spatial, temporal, and historiographical contexts. He analyses women's probates, wills, land ownership, holdings of real and chattel mortgages, investment in stocks and bonds, and self employment, revealing that women controlled wealth to an extent similar to that of most men and invested and managed wealth in increasingly similar, and in some cases more aggressive, ways.
