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The Vicar of Wakefield
This newly edited critical edition of an enduringly popular tale, one of the most widely reprinted and illustrated works of fiction in English, offers readers an authoritative text along with extensive and helpful annotation. Following the lives of the vicar and his family, and the various calamities which befall them, The Vicar of Wakefield was one of the most popular and beloved works of eighteenth-century fiction. A lively introduction details the reception of Goldsmith's tale, from comments by Frances Burney and Goethe, through Sir Walter Scott, Washington Irving and Henry James, to critics of the twentieth and twenty-first centuries. The volume also includes appendices comprising a wealth of contextual information, enhancing the work for contemporary readers. For scholars of Goldsmith and new readers alike, this edition will prove the authoritative version of a tale that moved generations of readers to laughter and to tears.
Ireland, Enlightenment and the English Stage, 1740-1820
Reveals the contribution of Irish writers to the Georgian English stage; argues that theatre is an important strand of the Irish Enlightenment.
Horror Stories
Human beings are the only species to have evolved the trait of emotional crying. We weep at tragedies in our lives and in those of others - remarkably even when they are fictional characters in film, opera, music, novels, and theatre. Why have we developed art forms - most powerfully, music - which move us to sadness and tears? This question forms the backdrop to Michael Trimble's discussion of emotional crying, its physiology, and its evolutionary implications. His exploration examines the connections with other distinctively human features: the development of language, self-consciousness, religious practices, and empathy. Neuroanatomy and neurophysiology of the brain have uncovered unique human characteristics; mirror neurones, for example, explain why we unconsciously imitate actions and behaviour. Whereas Nietzsche argued that artistic tragedy was born with the ancient Greeks, Trimble places its origins far earlier. His neurophysiological and evolutionary insights shed fascinating light onto this enigmatic part of our humanity.
Godwinian Moments
"In association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library."
Radical Conduct
An innovative new reading of the character of, and tensions in, London's radical intellectual culture at the time of the French Revolution.
The Novel Stage
"The Novel Stage: Narrative Form from the Restoration to Jane Austen traces the novel's relation to the theater over the course of the long eighteenth century, arguing that the familiar account of the novel as 'new' and distinct from other literary genres risks distorting a true reckoning of the form by failing to engage with the borrowings and departures from other more familiar genres, particularly drama. The Novel Stage traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel. These genres were shared across print and performance, media that were not construed as opposites in a world in which individual silent reading took place beside playgoin...
The Lonely Heart of Maybelle Lane
Maybelle Lane is looking for her father, but on the road to Nashville she finds so much more: courage, brains, heart--and true friends. Eleven-year-old Maybelle Lane collects sounds. She records the Louisiana crickets chirping, Momma strumming her guitar, their broken trailer door squeaking. But the crown jewel of her collection is a sound she didn't collect herself: an old recording of her daddy's warm-sunshine laugh, saved on an old phone's voicemail. It's the only thing she has of his, and the only thing she knows about him. Until the day she hears that laugh--his laugh--pouring out of the car radio. Going against Momma's wishes, Maybelle starts listening to her radio DJ daddy's new show,...
Sociable Places
This collection explores how location shaped sociability in the Romantic period.
The Making of the Sympathetic Imagination
How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interfac...
