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"David R. Godine, Publisher's founder and namesake gives a personal tour of the most memorable books he published during his 50 year career. From his earliest days as a letter press printer to the present digital era, Godine maintained a tradition of an independent publishing, surviving against all odds: these books are the reason why"--
Here is a selection of well-considered (and often shockingly honest) appraisals of the greatest names in American literature memorialised, eulogised, and sometimes criticised by their dearest friends and their closest peers.
Against the Grain is a collection of interviews with nine small press publishers, each one characterized by strength of resolve and a dedication to good books. Each press reflects, perhaps more directly than any large trade publisher could, the character of its founder; and each has earned its own place in the select group of important small presses in America. This collection is the first of its kind to explore with the publishers themselves the historical, aesthetic, practical, and personal impulses behind literary publishing. The publishers included are Harry Duncan (the Cummington Press), Lawrence Ferlinghetti (City Lights), David Godine (David R. Godine), Daniel Halpern (the Ecco Press), Sam Hamill and Tree Swenson (Copper Canyon Press), James Laughlin (New Directions), John Martin (Black Sparrow), and Jonathan Williams (the Jargon Society). Their passion for books, their belief in their individual visions of what publishing is or could be, their inspired mulishness crackle on the page.
Discover the meaning of life and eliminate fat in one stroke. This book combines common sense, Cartesian philosophy and an understanding that the mysteries of weight loss and the universe are compatible bedfellows.
Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces that can be seen around us today, fused art, history and polemic in a visionary work which has been hugely influential on modern graphic design. 'Written with clarity, humility and a touch of humour . . . timeless and absorbing' Paul Rand, The New York Times 'His lettering was clear, confident and hugely influential on the development of modern type design. The world has now caught up with Gill' Guardian How do we see the world around us? This is one of a number of pivotal works by creative thinkers like John Berger and Susan Sontag whose writings on art, design and the media have changed our vision for ever.
Depicts the building of the "Berkshire" steam locomotive.
An alphabet book of woodcuts featuring activities and objects associated with New England farm life, from Apple, Barn, Cow through aX, Yawn, Zinnia.
Adapt your workflow to a world of emerging devices, platforms, screen sizes, and resolutions.
There are two topics that seem largely unexplored by American poets of our time. One is the deep attachment parents (and perhaps most especially working parents) form for their infants and how they perceive their children (perhaps as Blake saw them) with all the wisdom of their innocence. The second is the relationship of science, mathematics and metaphysics to our everyday life. Here is a book that explores, and to some degree attempts to define, the writer's investigations in those two domains, one stemming from her experience as a mother, the other from her profession as a philosopher of science. And it is this juxtaposition of maternal emotion and detached, almost clinical, analysis that provides Grosholz's wonderful new collection with such grace and such power.
Lord Hideyoshi, the regent of Japan at the time, took the first step toward the control of firearms. It was a very small step, and it was not taken simply to protect feudal lords from being shot at by peasants but to get all weapons out of the hands of civilians. He said nothing about arms control. Instead, he announced that he was going to build a statue of Buddha that would make all existing statues look like midgets. It would be so enormous (the figure was about twice the scale of the Statue of Liberty), that many tons of iron would be needed just for the braces and bolts. Still more was required to erect the accompanying temple, which was to cover a piece of ground something over an eighth of a mile square. All farmers, ji-samurai, and monks were invited to contribute their swords and guns to the cause. They were, in fact, required to. -- from publisher description.