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Chess Pieces
David Solway's new collection of poems is a profound and witty work by a grandmaster of English verse. In forms ranging from free verse to strict quatrains to sly "translations," the poems in Chess Pieces display an astonishing formal skill. These are poems of wit, elegance, and humour but, more darkly, they are also explorations of the play of power as enacted in the game of chess.
Director's Cut
Solway argues in this feisty and polemical book that the time has arrived to take stock and engage passionately with our literature, and especially our poetry, if it is ever to be rescued from the swamp of second-ratedness into which it has descended. He contends that almost all of the poetry (and much of the fiction) being written in Canada these days is turgid, spurious and pedestrian, the result of two highly questionable developments: the proliferation of Creative Writing departments in universities throughout the country, and a largely subsidized literature industry, abetted by a press of cousinly critics and reviewers, intended to construct a patchwork national psyche, create a sense o...
David Solway
In recent years David Solway's groundbreaking trio of critical books have earned him a reputation as a thinker and prose writer of considerable erudition. He now emerges into the 21st century as a Canadian poet of major stature.
Notes from a Derelict Culture
The essays in this book elaborate an overall view of the central predicament confronting the West today: a theologically-inspired terrorist movement, the left-liberal belief-system that dominates the Western sensibility, the plague of political correctness that devitalizes language and obscures truth, and the almost universal opprobrium in which America—and by extrapolation the historical endowment of Western civilization—is held by the official institutions of the international community and by liberal culture. For too many years now we have practiced the rites of evasion, craving asylum in blindness, conciliation, sophistry and equivocation. Many flinch from expressing their convictions plainly, fearing to offend their readers and imperil their professional credentials. There is no more pressing requirement for us today than the obligation to seek the truth and to speak clearly, boldly, and without compromise, an endeavor with which this book is fundamentally engaged.
Franklin's Passage
No detailed description available for "Franklin's Passage".
Burdens of Proof
Autobiographical impostures, once they come to light, appear to us as outrageous, scandalous. They confuse lived and textual identity (the person in the world and the character in the text) and call into question what we believe, what we doubt, and how we receive information. In the process, they tell us a lot about cultural norms and anxieties. Burdens of Proof: Faith, Doubt, and Identity in Autobiography examines a broad range of impostures in the United States, Canada, and Europe, and asks about each one: Why this particular imposture? Why here and now? Susanna Egan’s historical survey of texts from early Christendom to the nineteenth century provides an understanding of the author in r...
Hurt Thyself
Between The Sexes What is the chance she smiles on this rivalry declared in the unspoken as chivalry, even one glance shot in the glass, while ahead he waits holding the door half-open, half-closed. Andrew Steinmetz's second collection of poetry turns a clinical eye on his favourite subjects - love, marriage, power, fantasy, and art. At the crossroads of the credos "know thyself" and "heal thyself," Steinmetz adopts a "hurt thyself" attitude that is sardonic and compassionate. Using a tersely sensitive language that relies on the poet's own speaking voice, Hurt Thyself betrays a slightly ominous and skewed philosophical rigor. The implications of the poet's examined life are poems that feel emotionally exposed yet discriminating and sceptical.
Hear, O Israel!
"Hatred of the Jew is the perpetual vestige of Western resentment and vexation against its own civilizing imperative. This too was Winston Churchill's understanding of Jewish hatred, which he described as Western civilization's revolt against its own central values as manifested in art, science and political and religious institutions."
Particles
"There's a gap between where / an electron is and where it might be / and that's the only real work-place. / You occupy that office of possibility." Where are you in that space between the electron and the galaxy, and how do you find yourself there? Particles asks this question and answers it by asking more questions, conveying both the mystery and the uncertainty of the universe.
Cast from Bells
Subtle and surprising poems connecting the use of bells in wartime with shifts in the nature of affection.
